View this newsletter in a browser.

 



The A-List: Director David Yates
on the VFX-heavy Tarzan

By Iain Blair

Filmmaking is a notoriously slow, labor-intensive business, and most directors would be thrilled if they could get a major movie made and released every couple of years. And then there’s David Yates, who has two mega-productions — each featuring tons of moving parts and cutting-edge VFX — out in the next five months alone.

First up is the Warner Bros. action-adventure film The Legend of Tarzan, starring Alexander Skarsgård as the Lord of the Apes, along with Margot Robbie as Jane. The cast also includes Samuel L. Jackson, Oscar-nominee Djimon Hounsou, Oscar-winner Jim Broadbent and two-time Oscar-winner Christoph Waltz. Not a bad cast!

The film features an impressive behind-the-scenes creative team as well,
including director of photography Henry Braham (The Golden Compass, the upcoming Guardians of the Galaxy Vol. 2), editor Mark Day (Harry Potter and the Deathly Hallows: Part 1 & 2) and Oscar-winning VFX supervisor Tim Burke (the Harry Potter franchise).

Yates, who previously directed the last four Harry Potter films, also recently helmed Fantastic Beasts and Where to Find Them, a return to the wizarding world created by Harry Potter author J.K. Rowling, who wrote the screenplay. The film, starring Eddie Redmayne and Colin Farrell, will open worldwide in November.

I spoke with Yates about making Tarzan, and why post still makes him nervous.

Read More >






Review: Red Giant Trapcode
Suite 13, Part 2

By Brady Betzel

In my recent Red Giant Trapcode Suite 13 for After Effects review, Part 1, I touched on updates to Particular, Shine, Lux and Starglow. In this installment, I am now going to blaze through the remaining seven plug-ins.

Read More >

Blending Ursa Mini and Red
footage for Aston Martin spec spot

By Daniel Restuccio

When producer/director Jacob Steagall set out to make a spec commercial for Aston Martin, he chose to lens it on the Blackmagic Ursa Mini 4.6k and the Scarlet Red. He dares anyone to tell which shots are Blackmagic and which are Red.

Read More >

Behind the Title: Nutmeg
creative director Dave Rogan

Nutmeg creative director Dave Rogan, who comes from an ad agency background, enjoys having creative, interactive, production and post all under one roof. "We’re able to think through every stage of the project together from the get-go," he says.

Read More >



SIGGRAPH’s 43rd Computer Animation Festival winners

Lucky Post has fun with McDonald’s McPick 2 spots

Redshift renderer in v.2.0, integrates with 3ds Max

For more information contact  info@postPerspective.com

Read past newsletters at  www.postperspective.com/newsletter

© 2016 postPerspective. All Rights Reserved.

Unsubscribe