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The A-List: Director Tom Tykwer
on A Hologram for the King
By Iain Blair

Tom Tykwer, the multi-faceted German director/writer
/composer/producer, first burst onto the international scene with his 1998 thriller Run Lola Run. Since then he’s directed such diverse films as Heaven, Perfume: The Story of a Murderer, The Princess and the Warrior, Cloud Atlas (with the Wachowskis) and The International. His latest is A Hologram for the King from Roadside Attractions.

Based on Dave Eggers’ novel, A Hologram for the King is set in recession-ravaged 2010. It stars Tom Hanks as Alan Clay, an American businessman who, broke, depressed and freshly divorced, arrives in Jeddah, Saudi Arabia, to close what he hopes will be the deal of a lifetime: selling a state-of-the-art holographic teleconferencing system to the Saudi government.

But, of course, nothing goes as planned. Adrift and alone in an unfamiliar land, Alan befriends a taxi driver who chauffeurs him through the desert to the “King’s Metropolis of Economy and Trade,” a surreal ghost town of vacant skyscrapers and half-completed construction projects. Baffled by the bureaucratic reception he gets at the so-called “Welcome Center,” Alan struggles to figure out why his small IT support team is being forced to spend its days in a sweltering tent as it preps for the big presentation. Worse, because of the Saudi way of doing business, he’s unclear if the king will ever show up for the long-scheduled meeting.

Back in Jeddah, the stressed-out salesman winds up in the hospital, where he is treated by a beautiful and empathetic Muslim doctor (Sarita Choudhury). As Alan gets to know his new Saudi friends better, cultural barriers break down and he begins to contemplate the possibility of a fresh start in a land where tradition and modernity meet in perplexing ways.

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Larson Studios pulls off an audio post
slam dunk for FX’s Baskets

By  Jennifer Walden

Turnarounds for TV series are notoriously fast, but imagine a three-day sound post schedule for a single-camera half-hour episodic series? Does your head hurt yet? Thankfully, Larson Studios in Los Angeles has its workflow on FX’s Baskets down to a science. In the show, Zach Galifianakis stars as Chip Baskets, who works as a California rodeo clown after failing out of a prestigious French clown school.

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Quick Chat: Wildchild editor Richard Cooperman
By  Randi Altman 

As a young man, Wildchild editor Richard Cooperman loved watching movies, so much so that he decided to study film at Toronto’s Ryerson University, where he focused on direction and shot composition. It wasn’t until he was interning at a post house, which housed a music video company, that he became fascinated with the creative process of editing. “Watching directors edit… I was amazed how selecting a shot, its length and placement could evoke so many different emotions,” explains Cooperman.

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Additions and promotions
at Encore in London

Learning about LTO and Premiere workflows
By Chelsea Taylor

UHD Alliance’s Victor Matsuda: Updates from NAB

Watch our video interviews from NAB 2016!


NAB 2016 from an EP’s perspective
By Tara Holmes

Patrick Davenport returns to MPC as COO in US

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