The Molecule: VFX for The Affair
and so much more
By Randi Altman
Luke DiTommaso, co-founder of New York City’s The Molecule, recalls "humble" beginnings when he thinks about the visual effects, motion graphics and VR studio’s launch as a small compositing shop. When The Molecule opened in 2005, New York’s production landscape was quite a bit different than the tax-incentive-driven hotbed that exists today.
“Rescue Me was our big break,” explains DiTommaso. “That show was the very beginning of this wave of production that started happening in New York. Then we got Damages and Royal Pains, but were still just starting to get our feet wet with real productions.”
Then, thanks to a healthy boost from New York’s production and post tax incentives, things exploded, and The Molecule was at the right place at the right time. They had an established infrastructure, talent and experience providing VFX for television series.
Since then DiTommaso and his partners Chris Healer and Andrew Bly have seen the company grow considerably, doing everything from shooting and editing to creating VFX and animation, all under one roof. With 35 full-time employees spread between their New York and LA offices — oh, yeah, they opened an office in LA! — they also average 30 freelance artists a day, but can seat 65 if needed.
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