The Third Floor: Previs and postvis for Wonder Woman

To help realize the cinematic world of Warner Bros.’s Wonder Woman, artists at The Third Floor London, led by Vincent Aupetit, visualized key scenes using previs and postvis. Work spanned nearly two years, as the team collaborated with director Patty Jenkins and visual effects supervisor Bill Westenhofer to map out key action and visual effects scenes. Continue reading

Dell 6.15

Review: Røde Mic’s Stereo VideoMic Pro Rycote

By Brady Betzel

There are a ton of microphone types out there, and when it comes to adding an external mic to a camera you need to know what kind of mic works best in different situations. For interviews, you most likely want a microphone that picks up the audio that is placed directly in front of the microphone. Continue reading


Behind the Title: Weta Workshop’s Jason Aldous

NAME: Jason Aldous

COMPANY: Wellington, New Zealand’s Weta Workshop

CAN YOU DESCRIBE YOUR COMPANY?
A weird and wonderful (emphasis on wonderful) collection of artists, craftspeople and some of the most creative minds I’ve ever had the pleasure of meeting. Continue reading


Director Philippe Falardeau takes on boxing with Chuck

By Iain Blair

On the surface, French-Canadian director Philippe Falardeau — whose drama Monsieur Lazhar was Oscar-nominated for Best Foreign Language Film at the 84th Academy Awards — might appear to be an unusual choice to helm a boxing film. But in his inspired hands, Chuck, Continue reading


Agent of Sleep: The making of a spec commercial

By Jennifer Walden

Names like Jason Bourne and James Bond make one think “eternal sleep,” not just merely a “restful” one. That’s what makes director/producer/writer Stephen Vitale’s spec commercial for Tempur-Pedic mattresses so compelling. Like a mad scientist crossing a shark with a sheep, Vitale combines an energetic spy/action film aesthetic with the sleepy world of mattress advertising for Agent of Sleep. Continue reading


Review: Blackmagic’s Fusion 9

By David Cox

At Siggraph in August, Blackmagic Design released a new version of its compositing software Fusion. For those not familiar with Fusion, it is a highly flexible node-based compositor that can composite in 2D and 3D spaces. Its closest competitor is Nuke from The Foundry.

The raft of new updates in Version 9 could be categorized into one of two areas: features created in response to user requests, Continue reading

FMPX8.14

My Passion Project: We Call Her Yolanda

By Anthony Bari Jr.

For the past couple years, I’ve been producing a documentary called We Call Her Yolanda. After volunteering on disaster relief in the Philippines in the aftermath of 2013’s super typhoon, I was taken with the people’s positivity and resiliency even though they had lost everything, Continue reading


Veteran director Michael Apted on his latest film, Unlocked

By Iain Blair

Acclaimed British director Michael Apted is that rarity in today’s cinema — an extraordinarily versatile filmmaker who is comfortable in any genre and equally at home making big-budget tent poles or micro-budget documentaries.

His movies range from Oscar- and Golden Globe-winning dramas (Coal Miner’s Daughter, Continue reading

Evoking the beauty and power of Dunkirk with 65mm

FotoKem worked to keep Christopher Nolan’s 65mm source natively photochemical and to provide the truest-to-film digital cinema version possible

By Adrian Pennington

Tipped for Oscar glory, Christopher Nolan’s intense World War II masterpiece, Dunkirk, has pushed the boundaries further than any film before it. Continue reading

Emmy Awards: American Horror Story: Roanoke

A chat with supervising sound editor Gary Megregian

By Jennifer Walden

Moving across the country and buying a new house is an exciting and scary process, but when it starts raining teeth at that new residence the scary factor pretty much makes the exciting feelings void. Continue reading