The A-List: Their Finest director Lone Scherfig

By Iain Blair

Writer/director Lone Scherfig is that rarest of creatives — a respected and prolific female director whose films have been both critically acclaimed and commercially successful. Even more amazingly, the Danish-born Scherfig has managed to do that after making the tricky transition from her native tongue to English. Continue reading

MTI 4.28

Aardman creates short film, struts its stuff

By Randi Altman

All creative studios strive for creative ways to show off their talent and offerings, and London-based Aardman is no exception. Famous for its stop-motion animation work (remember the Wallace and Gromit films?), this studio now provides so much more, including live-action, CG, 2D animation and character creation. Continue reading


A conversation with editor Hughes Winborne, ACE

This Oscar-winning editor talks about his path, his process, Fences and Guardians of the Galaxy.

By Chris Visser

In the world of feature film editing, Hughes Winborne, ACE, has done it all. From cutting indie features (1996’s Sling Blade) to CG-heavy action blockbusters (2014’s Guardians of the Galaxy) to winning an Oscar (2005’s Crash), Continue reading


The new Tom and Jerry Show score combines vintage and modern sounds

By Jennifer Walden

Tom and Jerry have been locked in conflict since the 1940s when animators William Hanna and Joseph Barbera pitted cat against mouse in a theatrical animated series for MGM’s cartoon studio. Their Academy Award-winning Tom and Jerry short films spurred numerous iterations over the years by different directors and animation studios. Continue reading


Behind the Title: Artist/Creative Director Barton Damer

NAME: Barton Damer

COMPANY: Dallas-based  Already Been Chewed

CAN YOU DESCRIBE YOUR COMPANY?
AlreadyBeenChewed is a boutique studio that I founded in 2010. We have created a variety of design, motion graphics and 3D animated content for iconic brands, including Nike, Continue reading


Sound editor/mixer Korey Pereira on 3D audio workflows for VR

By Andrew Emge

As the technologies for VR and 360 video rapidly advance and become more accessible, media creators are realizing the crucial role that sound plays in achieving realism. Sound designers are exploring this new frontier of 3D audio at the same time that tools for the medium are being developed and introduced. Continue reading


Review: GoPro’s Karma Grip and Quik Key

By Brady Betzel

There has been a flood of GoPro-compatible accessories introduced over the last several years, with few having as much impact as handheld stabilizers. Stabilizers have revolutionized videography (more specifically GoPro videography) and they are becoming extremely compact and very reasonably priced.

A while ago, Continue reading


Chatting with Scorsese’s go-to editor Thelma Schoonmaker

By Iain Blair

Thelma Schoonmaker and Martin Scorsese go together like Lennon and McCartney, or Ben and Jerry. It’s hard to imagine one without the other.

Simply put, Schoonmaker has been Martin Scorsese’s go-to editor and key collaborator over the course of 23 films and half a century, Continue reading

Building a workflow for The Great Wall

Bling Digital, which is part of the SIM Group, was called on to help establish the workflow on Legendary/Universal’s The Great Wall, starring Matt Damon as a European mercenary imprisoned within the wall. While being held he sees exactly why the Chinese built this massive barrier in the first place — and it’s otherworldly. Continue reading

Rick Pearson on cutting Kong: Skull Island

By Randi Altman

Who doesn’t love a good King Kong movie? And who says a good King Kong movie has to have the hairy giant climbing the Empire State Building, lady in hand?

The Jordan Vogt-Roberts-directed Kong: Skull Island, which had an incredible opening weekend at the box office — and is still going strong — tells the story of a 1973 military expedition to map out an island where in 1944 two downed pilots happened upon a huge monster. Continue reading

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