Panavision will be showing three working prototypes and a demo reel of its new Millennium DXL large-format digital camera at this weekend’s Cine Gear Expo in Los Angeles. Three companies came together to share their technology in the creation of the DXL — Panavision supplied large format optics and modular accessories, Red Digital Cinema brought an 8K sensor, and a new color science and optimized workflow came from Light Iron. They are clear that this isn’t just a “Panavised” Red camera. The sensor is a Red sensor, but the body is all Panavision.
While at Cine Gear, Panavision will be collecting feedback from the community, and that will continue through the development process. For those of you not on the West Coast, keep an eye out for shows on the East Coast and internationally this fall.
According to Kim Snyder, president/CEO of Panavision, DXL is offered in response to heightened demand for large-format cinematography. “Our fleet of large format and anamorphic lenses has been extremely popular in this resurgence of large format capture, and with the Millennium DXL, cinematographers now can capture more than 20 megapixels of true 4K anamorphic pictures.”
At the core of DXL is a proprietary image mapping process called Light Iron Color, which provides a cinematic look directly out of the camera. The camera body was designed with ergonomics and temperature management in mind: its mid-size form factor is extra lightweight, yet allows for an airflow system that dissipates heat quietly. DXL also has built-in, crew-friendly, modular accessories to improve versatility and quick changeovers during production.
“Our streamlined workflow includes simultaneous recording of 4K proxy files — ProRes or DNx —alongside the 8K RAW files,” explains Michael Cioni, DXL product director and president of Light Iron, a Panavision company. “This creates a direct-to-edit workflow with the NLE of your choice. Using efficient SSD media, the cost of capturing 8K files with DXL is more economical than using third-party recorders on lower resolution cameras. Light Iron Color and our Panavised Outpost Systems provide a workflow for DXL that can be easily adopted for shooting large format photography.”
Cioni says that cinematographers will notice how 8K acquisition creates images that are smoother, not sharper. “With a full frame 35-megapixel imager, DXL provides a super-sampled image, much like large format still photography, so that its smoothness is retained whether you finish in 4K, 2K, or HD.”
The Millennium DXL will be rented exclusively through Panavision and will be available in early 2017.