A Conversation: Jungle Book’s Oscar-Winner Rob Legato

By Randi Altman

Rob Legato’s resume includes some titles that might be considered among the best visual effects films of all time: Titanic, Avatar, Hugo, Harry Potter and the Sorcerer’s Stone, Apollo 13 and, most recently, The Jungle Book. He has three Oscars to his credit (Titanic, Continue reading


The A-List: Oscar-nominated director of The Salesman Asghar Farhadi

By Iain Blair

Iranian writer and director Asghar Farhadi burst onto the international film scene with his 2011 film A Separation, which won both the Golden Globe and Oscar for Best Foreign Language Film. The film also earned Farhadi an Academy Award nomination for Best Original Screenplay and won the Golden Bear at the 2011 Berlin International Film Festival. Continue reading


The A-List: La La Land’s Oscar-winning director Damien Chazelle

By Iain Blair

Writer/director Damien Chazelle may only have three feature films on his short resume, but the 32-year-old is already viewed by Hollywood as an acclaimed auteur and major talent. His latest film, the retro-glamorous musical La La Land, is a follow-up to his 2014 release Whiplash. Continue reading


The A-List: Elle director Paul Verhoeven

By Iain Blair

Director Paul Verhoeven has never been afraid to go where most other directors fear to tread, especially in the thorny areas of sex, violence and gender politics. Happy to shock and outrage audiences, and adept at moving effortlessly between genres — and blurring the lines between high and low culture, Continue reading


Photo Credit: Hopper Stone.

The A-List: Hidden Figures director/co-writer Ted Melfi

By Iain Blair

When writer/producer/director Ted Melfi (St. Vincent) first came across the true story behind his new film, Hidden Figures, he was amazed that it had never been told before. The drama recounts the history of an elite team of black female mathematicians at NASA who helped win the all-out space race against the Soviet Union and, Continue reading

The A-List: Jim Jarmusch on his latest film Paterson

By Iain Blair

Over the past few decades, writer/director Jim Jarmusch has followed the beat of his own drum and built up a body of idiosyncratic films that include Permanent Vacation (1980), Stranger Than Paradise (1984), Down by Law (1986), Mystery Train (1989), Continue reading

Editor Joe Walker on establishing a rhythm for Denis Villeneuve’s Arrival

By Mel Lambert

For seasoned picture editor Joe Walker, ACE, his work with directors Denis Villeneuve and Steve McQueen might best be described as “three times a charm.” His trio of successes with Villeneuve include the drug enforcement drama Sicario, the alien visitor film Arrival and the much-anticipated, Continue reading

Patriots Day

Augmenting Patriots Day‘s sound with archival audio

By Jennifer Walden

Fresh off the theatrical release of his dramatized disaster film Deepwater Horizon, director Peter Berg brings another current event to the big screen with Patriots Day. The film recounts the Boston Marathon bombing by combining Berg’s cinematic footage with FBI-supplied archival material from the actual bombing and investigation. Continue reading

The A-List: Manchester by the Sea director Kenneth Lonergan

By Iain Blair

It’s been 16 years since filmmaker and playwright Kenneth Lonergan made his prize-winning debut at Sundance with You Can Count on Me, which he wrote and directed. The film won the Sundance Grand Jury Prize and was an Academy Award and Golden Globe nominee for Best Screenplay. Continue reading

Academy honors 18 Scientific and Technical achievements

The Academy of Motion Picture Arts and Sciences has announced that 18 scientific and technical achievements represented by 34 individual award recipients, as well as five organizations, will be honored at its annual Scientific and Technical Awards Presentation on February 11.

“This year we are particularly pleased to be able to honor not only a wide range of new technologies, Continue reading