Creating the 3D stereo version of Ron Howard’s Solo: A Star Wars Story

At Stereo D, a company that converts 2D theatrical content into stereoscopic 3D imagery, creating 3D editions of blockbuster movies takes hundreds of people working under the leadership of a dedicated stereo producer and stereographer team. For Solo: A Star Wars Story, the studio’s Tim Broderick and Yo Aoki talked to us about their collaboration and how they supported Ron Howard’s 3D vision for the film. Continue reading


Prolific writer/director Paul Schrader on his latest, First Reformed

By Iain Blair

With his latest film in theaters now, a look back at director and screenwriter Paul Schrader’s movie credits shows just what a force he has been over the years in Hollywood — and especially in the ambitious, serious and hugely influential cinema of the ‘70s and ‘80s.

He wrote Martin Scorsese’s Taxi Driver, Continue reading


Pacific Rim: Uprising‘s big sound

By Jennifer Walden

Universal Pictures’ Pacific Rim: Uprising is a big action film, with monsters and mechs that are bigger than skyscrapers. When dealing with subject matter on this grand of a scale, there’s no better way to experience it than on a 50-foot screen with a seat-shaking sound system. If you missed it in theaters, Continue reading


Optical Art DI colorist Ronney Afortu on In the Fade

Chicago-born, Germany-raised Ronney Afortu has been enjoying a storied career at Hamburg-based studio Optical Art. This veteran senior DI colorist has an impressive resume, having worked on the Oscar-nominated film Mongol, with Oscar-winning director Bille August on Night Train to Lisbon, as well as the recent Golden Globe-winning movie In the Fade (Aus dem Nichts), Continue reading


Sound Reality: Clint Eastwood’s The 15:17 to Paris

By Jennifer Walden

Films based on true stories are always popular, and Oscar-winning director Clint Eastwood has made his share, including Sully and American Sniper, as well as Flags of Our Fathers and Letters From Iwo Jima. While those stories were inspired by real people/events, Continue reading

Ren Klyce: Mixing the score for Star Wars: The Last Jedi

By Jennifer Walden

There are space battles and epic music, foreign planets with unique and lively biomes, blasters, lightsabers, a universe at war and a force that connects it all. Over the course of eight “Episodes” and through numerous spin-off series and games, fans of Star Wars have become well acquainted with its characteristic sound. Continue reading

Oscar-winner Jordan Peele on directing Get Out

By Iain Blair

Get Out, the feature film debut of comedian-turned-director Jordan Peele, is chock full of shocks and surprises. This multi-layered horror film also shocked a lot of people in the industry when it went on to gross over a quarter of a billion dollars — on a $4.5 million budget — making it one of the most profitable films in Hollywood history. Continue reading

Michael Semanick: Mixing SFX, Foley for Star Wars: The Last Jedi

By Jennifer Walden

Oscar-winning re-recording mixer Michael Semanick from Skywalker Sound mixed the sound effects, Foley and backgrounds on Star Wars: The Last Jedi, which has earned an Oscar nomination for Sound Mixing.

Technically, this is not Semanick’s first experience with the Star Wars franchise — he’s credited as an additional mixer on Rogue One — but on The Last Jedi he was a key figure in fine-tuning the film’s soundtrack. Continue reading

Oscar Watch: The Shape (and sound) of Water

Post production sound mixers Christian Cooke and Brad Zoern, who are nominated (with production mixer Glen Gauthier) for their work on Fox’s The Shape of Water, have sat side-by-side at mixing consoles for nearly a decade. The frequent collaborators, who handle mixing duties at Deluxe Toronto, faced an unusual assignment given that the film’s two lead characters never utter a single word of actual dialogue. Continue reading

The A-List: The Big Sick director Michael Showalter

By Iain Blair

If life is stranger than fiction, then the acclaimed Oscar-nominated film The Big Sick is Exhibit A. Based on the unlikely real-life courtship between Pakistani comedian/writer Kumail Nanjiani and writer/producer Emily V. Gordon, it tells the story of Kumail (playing a version of himself), who connects with grad student Emily (Zoe Kazan) after one of his standup sets. Continue reading