Photo Credit: Hopper Stone.

The A-List: Hidden Figures director Ted Melfi

By Iain Blair

When writer/producer/director Ted Melfi (St. Vincent) first came across the true story behind his new film, Hidden Figures, he was amazed that it had never been told before. The drama recounts the history of an elite team of black female mathematicians at NASA who helped win the all-out space race against the Soviet Union and, Continue reading


The A-List: Jim Jarmusch on his latest film Paterson

By Iain Blair

Over the past few decades, writer/director Jim Jarmusch has followed the beat of his own drum and built up a body of idiosyncratic films that include Permanent Vacation (1980), Stranger Than Paradise (1984), Down by Law (1986), Mystery Train (1989), Continue reading


Editor Joe Walker on establishing a rhythm for Denis Villeneuve’s Arrival

By Mel Lambert

For seasoned picture editor Joe Walker, ACE, his work with directors Denis Villeneuve and Steve McQueen might best be described as “three times a charm.” His trio of successes with Villeneuve include the drug enforcement drama Sicario, the alien visitor film Arrival and the much-anticipated, Continue reading


Patriots Day

Augmenting Patriots Day‘s sound with archival audio

By Jennifer Walden

Fresh off the theatrical release of his dramatized disaster film Deepwater Horizon, director Peter Berg brings another current event to the big screen with Patriots Day. The film recounts the Boston Marathon bombing by combining Berg’s cinematic footage with FBI-supplied archival material from the actual bombing and investigation. Continue reading


The A-List: Manchester by the Sea director Kenneth Lonergan

By Iain Blair

It’s been 16 years since filmmaker and playwright Kenneth Lonergan made his prize-winning debut at Sundance with You Can Count on Me, which he wrote and directed. The film won the Sundance Grand Jury Prize and was an Academy Award and Golden Globe nominee for Best Screenplay. Continue reading

Academy honors 18 Scientific and Technical achievements

The Academy of Motion Picture Arts and Sciences has announced that 18 scientific and technical achievements represented by 34 individual award recipients, as well as five organizations, will be honored at its annual Scientific and Technical Awards Presentation on February 11.

“This year we are particularly pleased to be able to honor not only a wide range of new technologies, Continue reading

The A-List: Lion director Garth Davis

By Iain Blair

The plot of Lion, the new awards-buzzy Weinstein film, sounds like an over-the-top, completely made-up Hollywood tearjerker — a five-year-old Indian boy named Saroo (Sunny Pawar) wanders onto a train, falls asleep and wakes up thousands of miles away from his home and family. Continue reading

Team Player: Rules Don’t Apply editor Brian Scofield

By Randi Altman

In the scheme of things, we work in a very small industry where relationships, work ethic and talent matter. Brian Scofield is living proof of that. He is one of a team of editors who worked on Warren Beatty’s recent Rules Don’t Apply. Continue reading

The A-List: Collateral Beauty director David Frankel

By Iain Blair

Oscar-winner David Frankel is probably best known for his enormously successful films The Devil Wears Prada and Marley & Me, but the writer/director has an eclectic slate of films under his belt, including The Big Year, Hope Springs and One Chance. Continue reading

Paramount Pictures

The A-List: A conversation with Arrival director Denis Villeneuve

By Iain Blair

Dark and super-intense dramas are the specialty of acclaimed French-Canadian filmmaker Denis Villeneuve. His 2010 feature film Incendies, a drama about the legacy of civil war in Lebanon for a Montreal immigrant family, earned a Best Foreign Language Film Oscar nomination. Villeneuve made his Hollywood directorial debut with Prisoners, Continue reading