John Gilroy, ACE, on editing Roman J. Israel, Esq.

By Amy Leland

John Gilroy, ACE, comes from an impressive storytelling family. His father, Frank D. Gilroy, was a Pulitzer Prize-winning playwright, as well as a screenwriter and director for film and television. His older brother Tony is a screenwriter and director, known for films such as Michael Clayton and the Jason Bourne films. Continue reading


Richard Linklater on directing the film Last Flag Flying

By Iain Blair

Director Richard Linklater first made a name for himself back in 1991 with the acclaimed and influential independent release Slacker, an experimental narrative revolving around 24 hours in the lives of 100 characters. Since then he’s made the beloved Dazed and Confused, Continue reading


Mixing the sounds of history for Marshall

By Jennifer Walden

Director Reginald Hudlin’s courtroom drama Marshall tells the story of Thurgood Marshall (Chadwick Boseman) during his early career as a lawyer. The film centers on a case Marshall took in Connecticut in the early 1940s. He defended a black chauffeur named Joseph Spell (Sterling K. Continue reading


Joe Wright on directing Darkest Hour

By Iain Blair

Maybe it’s something in the water, but Dunkirk and Winston Churchill seem to be popping up everywhere these days. While the British statesman and prime minister merely hovered unseen in the background of Christopher Nolan’s Dunkirk epic, he’s front-and-center in Joe Wright’s aptly titled Darkest Hour. Continue reading


Kevin Tent, ACE, on directorial debut Crash Pad and editing Downsizing

By Randi Altman

To say that Kevin Tent, ACE, is a prolific editor is in no way hyperbole. He has cut some of the most celebrated films of the last few years as a frequent collaborator of director Alexander Payne. They worked together on seven films, including Paramount’s upcoming Downsizing, Continue reading

Color plays big role in director Sean Baker’s The Florida Project

Director Sean Baker is drawing wide praise for his realistic portrait of life on the fringe in America in his new film The Florida Project. Baker applies a light touch to the story of a precocious six-year-old girl living in the shadow of Disney World, giving it the feel of a slice-of-life documentary. Continue reading

Creating sounds for Battle of the Sexes

By Jennifer Walden

Fox Searchlight’s biographical sports, drama Battle of the Sexes, delves into the personal lives of tennis players Bobby Riggs (Steve Carell) and Billie Jean King (Emma Stone) during the time surrounding their famous televised tennis match in 1973, known as the Battle of the Sexes. Continue reading

Detroit editors William Goldenberg, ACE, and Harry Yoon

By Chris Visser

Kathryn Bigelow’s Detroit is not an easy film to watch. It deals with some very ugly moments in our nation’s history — specifically, Detroit’s 1967 12th Street Riot — and the challenge of adapting that history into a narrative feature film was no easy task. Continue reading

The A-List: LBJ director Rob Reiner

By Iain Blair

Director/producer/actor Rob Reiner has long been one of Hollywood’s most reliable, successful and versatile talents. Over the past three decades he’s created a beloved body of work in a diverse mixture of styles and genres that includes comedy (When Harry Met Sally, The American President), Continue reading

Director Todd Haynes on making Wonderstruck

By Iain Blair

Writer/director Todd Haynes is a supreme visual stylist with a deep affection for period pieces and a masterly touch when it comes to dealing with such adult themes as desire, repression and regret. Now Haynes — who was Oscar-nominated for his Far From Heaven ’50s drama — brings those gifts and his sense of wonder and imagination to his new film Wonderstruck, Continue reading