For those of you heading out to Las Vegas for NAB 2018, the 17th annual SuperMeet will take place on Tuesday, April 10 at the Rio Hotel. Speaking this year will be Oscar-nominated film editor Dylan Tichenor (There Will be Blood, Zero Dark Thirty). Additionally, there will be presentations from Blackmagic, Continue reading
Kate Owen, an almost 20-year veteran who has cut both spots and films, has joined the editorial roster of New York’s Wax. The UK-born but New York-based Owen has edited projects across fashion, beauty, lifestyle and entertainment for brands such as Gucci, Victoria Beckham, Vogue, Adidas, Sony, Continue reading
NextComputing, Z Cam and Assimilate have teamed up to create a complete turnkey VR studio. Foundation VR Studio is designed to provide all aspects of the immersive production process and help the creatives be more creative.
According to Assimilate CEO Jeff Edson, Continue reading
Director Olivier Gondry has once again joined the roster at production house Partizan. Gondry, known for his commercial and music video work, made his first major mark with his commercials for HP, featuring his brother Michel and Vera Wang. Since then, this Paris-based director has gone on to collaborate with brands such as Audi, Continue reading
Red Digital Cinema’s new Gemini 5K S35 sensor for its Red Epic-W camera leverages dual-sensitivity modes, allowing shooters to use standard mode for well-lit conditions or low-light mode for darker environments.
In low-light conditions, the Gemini 5K S35 sensor allows for cleaner imagery with less noise and better shadow detail. Continue reading
Frame.io will be at NAB this year previewing its re-engineered workflow management tool, which will have a full release early this summer. This next generation of the company’s media review and collaboration software, the new Frame.io was redesigned with speed in mind.
“When we first launched Frame.io, Continue reading
Chaos Group has redesigned its V-Ray RT product. The new V-Ray GPU rendering architecture, according to the company, effectively doubles the speed of production rendering for film, broadcast and design artists. This represents a redesign of V-Ray’s kernel structure, ensuring a dual-blend of high-performance speed and accuracy.
Chaos Group has renamed V-Ray RT to V-Ray GPU, Continue reading
Technicolor London has grown with the addition of colorist Jean-Clément Soret to its DI team. He will take on the role of supervising DI colorist, which is a new role in addition to his current duties at MPC as global creative director of color grading, where he will continue his contribution to advertising campaigns. Continue reading
Supersphere, a VR/360° production studio, will be at NAB this year debuting 12G glass-to-glass flypacks optimized for live VR/360° streaming. These multi-geometry (mesh/rectilinear/equirectangular) flypacks can handle 360°, 180°, 4K or HD production and seamlessly mix and match each geometry. They also include built-in VDN (video distribution network) encoding and delivery for live streaming to any platform or custom player. Continue reading
By David Jasse
As a veteran editor and video producer, I’ve held many different positions since I started in the industry — I’ve been the hired help and I’ve been the one doing the hiring. Looking back on these experiences has put me in a good position to share my wisdom. Continue reading