JVC Professional Video has announced version 4.0 of the firmware for its GY-LS300CH 4KCAM Super 35 handheld camcorder. The new firmware increases color resolution to 4:2:2 (8-bit) for 4K recording at 24/25/30p onboard to SDXC media cards. In addition, the IP remote function now allows remote control and image viewing in 4K. Continue reading
Bluefish444 announced that version 1.1 of its IngeSTore multichannel capture software is now available free from the Bluefish444 website. Compatible with all Bluefish444 video cards, IngeSTore captures multiple simultaneous channels of 3G/HD/SD-SDI to popular media files for archive, edit, encoding or analysis. IngeSTore improves efficiency in the digitisation workflow by enabling multiple simultaneous recordings from VTR’s, Continue reading
Autodesk has launched several new versions of its solutions for media and entertainment, including the Autodesk Flame Family 2018 update 1 for VFX, the Arnold 5.0 renderer, Maya 2017 update 3 for 3D animation, performance updates for Shotgun production tracking and review software, and 3ds Max 2018 software for 3D modeling. Continue reading
MTI Film is updating its family of Cortex applications and tools, highlighted by Cortex V.4. In addition to legacy features such as a dailies toolset, IMF and AS-02 packaging and up-res algorithms, Cortex V.4 adds DCP packaging (with integrated ACES color support), an extended edit tool and officially certified Dolby Vision metadata editing capabilities. Continue reading
FilmLight is at NAB demoing Version 5.0 of its color tools. The upgraded toolkit maintains a consistent user experience across the Baselight color grading and finishing system, Baselight Editions, Daylight and FilmLight’s new on-set application, Prelight.
“We are delivering 5.0 everywhere, bringing a new level of color control and creative possibilities from the very start of a production right to the final deliverables,” says Wolfgang Lempp, Continue reading
Xytech will be at NAB with its new MediaPulse Sky, a mobile interface for its MediaPulse facility management platform. The company is also showing over 400 new features for MediaPulse, a platform used by studios, networks, media companies and post facilities for functions such as scheduling, asset management, Continue reading
Timecode Systems and GoPro’s Kolor team recently worked together to create a new timecode sync feature for Kolor’s Autopano Video Pro stitching software. By combining their technologies, the two companies have developed a VR workflow solution that offers the efficiency benefits of professional standard timecode synchronization to VR and 360 filming. Continue reading
Eizo will be at NAB next week demonstrating its ColorEdge Prominence CG3145 31.1-inch reference monitor, which offers DCI-4K resolution (4096×2160) for pro HDR post workflows.
Eizo says the ColorEdge Prominence CG3145 can display both very bright and very dark areas on the screen without sacrificing the integrity of either. Continue reading
The industry’s ongoing shift to higher-resolution formats, its use of more cameras to capture footage and its embrace of additional distribution formats and platforms is putting pressure on storage infrastructure. For content creators and owners to take full advantage of their content, storage must not only deliver scalable performance and capacity but also ensure that media assets remain readily available to users and workflow applications. Continue reading
EditShare, makers of shared storage and media management solutions, has introduced the XStream EFS 200 and XStream EFS 300 storage products. Like other XStream EFS products, these new products are based on the EditShare File System and provide fault tolerance while streamlining administrative tasks and providing a plug-and-play upgrade path. Continue reading