Category Archives: New Hire

VFX house Jamm adds Flame artist Mark Holden

Santa Monica-based visual effects boutique Jamm has added veteran Flame artist Mark Holden to its roster. Holden comes to Jamm with over 20 years of experience in post production, including stints in London and Los Angeles.

It didn’t take long for Holden to dive right in at Jamm; he worked on Space 150’s Buffalo Wild Wings Super Bowl campaign directed by the Snorri Bros. and starring Brett Favre. The Super Bowl teaser kicked off the pre-game.

Holden is known not only for his visual effects talent, but also for turning projects around under tight deadlines and offering his clients as many possible solutions within the post process. This has earned him work with leading agencies such as Fallon, Mother, Saatchi & Saatchi, Leo Burnett, 180, TBWA/Chiat/Day, Goodby Silverstein & Partners, Deutsch, David & Goliath, and Team One. He has worked with brands including Lexus, Activision, Adidas, Chevy, Geico, Grammys, Kia, Lyft, Pepsi, Southwest Airlines, StubHub, McDonald’s, Kellogg’s, Stella Artois, Silk, Heineken and Olay.

 

Deluxe VFX

Craig Zerouni joins Deluxe VFX as head of technology

Deluxe has named Craig Zerouni as head of technology for Deluxe Visual Effects. In this role, he will focus on continuing to unify software development and systems architecture across Deluxe’s Method studios in Los Angeles, Vancouver, New York and India, and its Iloura studios in Sydney and Melbourne, as well as LA’s Deluxe VR.

Based in LA and reporting to president/GM of Deluxe VFX and VR Ed Ulbrich, Zerouni will lead VFX and VR R&D and software development teams and systems worldwide, working closely with technology teams across Deluxe’s Creative division.

Zerouni has been working in media technology and production for nearly three decades, joining Deluxe most recently from DreamWorks, where he was director of technology at its Bangalore, India-bsed facility overseeing all technology. Prior to that he spent nine years at Digital Domain, where he was first head of R&D responsible for software strategy and teams in five locations across three countries, then senior director of technology overseeing software, systems, production technology, technical directors and media systems. He has also directed engineering, products and teams at software/tech companies Silicon Grail, Side Effects Software and Critical Path. In addition, he was co-founder of London-based computer animation company CFX.

Zerouni’s work has contributed to features including Tron: Legacy, Iron Man 3, Maleficent, X-Men: Days of Future Past, Ender’s Game and more than 400 commercials and TV IDs and titles. He is a member of BAFTA, ACM/SIGGRAPH, IEEE and the VES. He has served on the AMPAS Digital Imaging Technology Subcommittee and is the author of the technical reference book “Houdini on the Spot.”

Says Ulbrich on the new hire: “Our VFX work serves both the features world, which is increasingly global, and the advertising community, which is increasingly local. Behind the curtain at Method, Iloura, and Deluxe, in general, we have been working to integrate our studios to give clients the ability to tap into integrated global capacity, technology and talent anywhere in the world, while offering a high-quality local experience. Craig’s experience leading global technology organizations and distributed development teams, and building and integrating pipelines is right in line with our focus.”

G-Tech 6-15

Corey Stewart joins Harbor Picture Company as CTO 

New York-based full-service post house Harbor Picture Company has hired Corey Stewart as chief technology officer. He brings 20 years of industry experience to his role.

Stewart joins Harbor from Technicolor PostWorks New York, where he had served as chief engineer since 2008. During that time he designed and managed integration of a large-scale routing control system, created a KVM switching infrastructure to increase room flexibility and production, and managed engineering teams during acquisitions and management changes.

Prior to that role, Stewart held a number of jobs at the company, including online editor, Avid support technician and lead engineer. Earlier on in his career, Stewart attended the School of Visual Arts in New York where he studied film and video with an editorial concentration, taught film production classes and worked as an Adobe After Effects designer/assistant editor at Harvey’s Place. He has been credited as DI engineer on a variety of feature films and television shows. He is also a member of the HPA, SMPTE, Digital Cinema Technology and more.

“The reality of our new landscape of anywhere, anytime, any artist, has demanded that we continue to seek out new technologies and technologists to facilitate the type of unlimited access to creativity that clients are in search of,” says founder/president Zak Tucker. “Corey was the perfect candidate for this new position because he shares our vision and holistic approach to post — providing omnipresent support to clients, everywhere from on set to the point of delivery. The creative benefit of this type of seamless workflow is the collaboration fostered between picture and sound, and it’s only made possible by the types of technological advancements and workflows industry vets like Corey are implementing and innovating.”

Recent Harbor projects include work on Arrival, Beauty and the Beast and Showtime’s Billions.


Editor Eddie Ringer joins NYC’s Wax

Wax, an editorial house based in NYC, has added film and commercial editor Eddie Ringer. Ringer comes to Wax from Wildchild + Bonch in New York. Prior to that, he spent over eight years at Sausalito-based agency Butler Shine Stern + Partners (BSSP), where he edited and directed advertising projects spanning broadcast commercials, viral campaigns and branded content.

Ringer says he calls on his agency background for his editing work. “Working on the agency side I saw firsthand the tremendous amount of thought and hard work that goes into creating a campaign. I take this into consideration on every project. It focuses me. The baton has been passed, and it’s my responsibility to make sure the collective vision is carried through to the end.”

In addition to his agency experience, Ringer enjoys the way sound design can dictate the flow of the edit and stresses the importance of balancing the creative part with the commerce side of things and understanding why it works. “At the end of the day,” he notes, “we’re trying to connect with an audience to sell a product and a brand.”

Ringer’s first job with Wax was a new spot for ITV London promoting the horse-racing channel. It features momentum edits, hard cuts, energy and, of course, lots of sound design.

His tool of choice is Adobe Premiere Pro. “I made the switch to Premiere about four years ago and never looked back. I find the functionality more intuitive than other NLEs I’ve used in the past,” he says.


Whitehouse editor Lisa Gunning moves from London to LA

Whitehouse Post editor Lisa Gunning has relocated from the company’s London headquarters to its Los Angeles office. The move allows her to cut more long-form projects in addition to her spot work.

Gunning’s arrival at Whitehouse LA coincided with her editing the feature film Newness for commercial and narrative director Drake Doremus. The film was completed in only three months and premiered at this year’s Sundance Film Festival. Well known for her commercial work, Gunning wrapped Adidas’ Basketball Without Creativity starring James Harden for frequent director collaborator Stacy Wall in late 2016. In recent years, she has also teamed up with Wieden+Kennedy, 72 and Sunny, Y&R and BBH to work on brands including Nike, Corona, Landrover and Johnnie Walker.

Regarding her decision to relocate, Gunning explains that LA offers an opportunity to expand her commercial portfolio and cater to her long-form interests. “I feel like I’m in the epicenter of where my work is based now.”

Along with her spot work, Gunning has lent her editing talent to films including Nowhere Boy, Seven Psychopaths and Fifty Shades of Grey.

In addition to editing, Gunning has grown her directing skills with several projects, including three short films in collaboration with Nowness and Mini and multiple music videos. “Directing is great for editing, and what I learn on commercials is great for working in long-form,” she explains. “The varied experiences make me a better director and editor because I’m able to empathize with all of the processes and think of them as a whole, as opposed to just one side of it.”


Jim Hagarty Photography

Blue Sky Studios’ Mikki Rose named SIGGRAPH 2019 conference chair

Mikki Rose has been named conference chair of SIGGRAPH 2019. Fur technical director at Greenwich, Connecticut-based Blue Sky Studios, Rose chaired the Production Sessions during SIGGRAPH 2016 this past July in Anaheim and has been a longtime volunteer and active member of SIGGRAPH for the last 15 years.

Rose has worked on such film as The Peanuts Movie and Hotel Transylvania. She refers to herself a “CG hairstylist” due to her specialization in fur at Blue Sky Studios — everything from hair to cloth to feathers and even vegetation. She studied general CG production at college and holds BS degrees in Computer Science and Digital Animation from Middle Tennessee State University as well as an MFA in Digital Production Arts from Clemson University. Prior to Blue Sky, she lived in California and held positions with Rhythm & Hues Studios and Sony Pictures Imageworks.

“I have grown to rely on each SIGGRAPH as an opportunity for renewal of inspiration in both my professional and personal creative work. In taking on the role of chair, my goal is to provide an environment for those exact activities to others,” said Rose. “Our industries are changing and developing at an astounding rate. It is my task to incorporate new techniques while continuing to enrich our long-standing traditions.”

SIGGRAPH 2019 will take place in Los Angeles from July 29 to August 2, 2019.


Main Image: SIGGRAPH 2016 — Jim Hagarty Photography


Steve Holyhead

AJA brings on Steve Holyhead from Fox Broadcasting

Steve Holyhead has joined AJA as senior product manager for desktop products. He joins AJA from Fox Broadcasting Company where he was director of technical operations.

Holyhead recently moved to Grass Valley, where AJA is headquartered, from Los Angeles. In addition to working at Fox, his 20-plus years of industry experience includes developing professional digital video workflows with BloomCast, managing post operations at Discovery Communications and working as a technology evangelist, producer and technical marketing manager for both Discreet (now Autodesk) and Avid. He has also developed Avid and Adobe training courses for multiple partners, including Lynda.com.

“Steve brings a blend of real-world production and technology developer experience to AJA. His understanding of production, broadcast and post, together with his experience both designing enterprise scale workflows and as a master trainer for Adobe, Apple and Avid products, will make powerful contributions to the success of our customers,” says Nick Rashby, president of AJA.


Veteran Kitty Snyder joins Atlanta’s Artifact as EP

Atlanta-based creative studio Artifact Design has hired post production veteran Kitty Snyder as executive producer. In this new role, Snyder will use her expertise in developing brand and marketing strategies, developing client relationships and bidding and producing projects. Her strong ties within the agency and film community will complement the full range of production, design, VFX, animation and post capabilities of the Artifact.

Most recently, Snyder was the director of creative partnerships for the Atlanta branches of Beast, Company 3 and Method Studios, all part of Deluxe Creative Services. Her previous positions include producer at ad agency Huge, where she worked on campaigns for such clients as Airheads, Lowe’s, Mohawk and Coca-Cola. She also spent nearly decade as senior business manager, creative services, at Crawford Media Services.

A former singer-songwriter, Snyder has toured the country solo and with bands. She got her start in the television and film industry producing and writing for various network shows for HGTV and GPTV. Since then, she has collaborated with clients such as Tyler Perry Studios, Cartoon Network and CNN, as well as ad agencies BBDO, JWT and Ogilvy & Mather.


Reel FX hires Chad Mosley as senior designer

Chad Moseley has joined Reel FX as senior designer. Moseley brings with him nearly a decade of experience in motion graphics and design, spanning television, advertising and broadcast promos.

He comes to Reel FX, which has offices in Dallas and Santa Monica, from Starz Entertainment, where he spent two years as a broadcast designer, concepting and executing promotions for original programming on series such as Outlander, Da Vinci’s Demons and Flesh and Bone, including teasers, spots and graphics packages. His work for brands such as Enterprise, Nestle, Purina and Busch Gardens has earned him a Gold American Advertising Award (AAA), a Gold Addy Award and an AAF Best of Digital Award.

Texas native Moseley studied graphic design and 3D animation in Denver. He developed his career at a Texas news channel, handling the video and graphics for the channel’s website. While there he learned post production. He then worked as a video editor/animator at Denver-based ORCC, later relocating to St. Louis to take a position as senior motion graphics/VFX artist at 90 Degrees West. While there, he contributed to post projects from concept through completion for national brands including Anheuser Busch, Enterprise and UPS, among others. An opportunity as an in-house broadcast designer at Starz Entertainment led Moseley back to Denver in 2014, before once again returning to Dallas once again to join the Reel FX team.

Colorist Dan Hermelin joins Roundabout Entertainment

Roundabout Entertainment, which is growing its services for picture finishing and restoration, has hired colorist Dan Hermelin. He comes to Roundabout with more than 20 years of post experience and a resume spanning features, television and restoration projects, the latter including remasters of Jerry Maguire, Men in Black and The Deep. At Roundabout, his current project is the animated series Teenage Mutant Ninja Turtles for Nickelodeon.

He uses a Blackmagic DaVinci Resolve, running version 12.5, using Resolve panels. His room is equipped with the new Sony X550 55-inch OLED monitors.

Hermelin spent the past five years at Deluxe, where he worked on restoration projects for Sony Pictures, MGM, Disney and other studios, as well as animation projects for Netflix and Nickelodeon. Prior to that, he spent 17 years at Ascent Media where his work spanned from commercials and music videos to episodic television, long-form television and features.

Notable credits include Disney’s Confessions of a Teenage Drama Queen and Raising Helen and restorations of the Little Rascals and Gene Autry Westerns. He began his career with Image Transform.