Category Archives: New Hire

BestFriend adds director Thomas Hefferon

BestFriend, an LA and NY-based production studio headed up by executive producer Zak Thornborough, has brought on director Thomas Hefferon.

Dublin-born Hefferon has a long history making in short-form emotional narratives. His first short film “The Confession” screened at over 40 festivals around the world (including Tribeca, Palms Springs, and Sundance) and had a national cinema release in Ireland. It aired on dozens of TV stations across the world, and it garnered over one million hits on YouTube.

Since then he’s made three more shorts (The Pool, Switch and The Heist), all of which received funding by the Irish Film Board.

Hefferon also works on spots and branding projects. He was nominated in the Best New Director category at the 2009 Kinsale Shark Awards. This led to him working with Jaguar and Land Rover, and a move to London. There he worked with a range of brands, including Panasonic, Infinity, Jameson, Armstrong International and Johnson & Johnson.

Hefferon’s first project out of BestFriend is a two-spot campaign for Massachusetts Financial Services via FCB Chicago. These spots showcase Hefferon’s ability to show the human side of a company. Mirroring mutual investments with the work that musicians do, Hefferon somehow makes financial services empathetic, entertaining, and cool.

Centralized around a collaborative approach, BestFriend provides clients access to world-class talent at any stage of production, from writing and creative development through execution and delivery. BestFriend lives at the intersection of advertising, art, film, fashion, music, and technology, and thrives on its proximity to the fringe of possibility.

Aubrey Woodiwiss joins Carbon LA as lead colorist

Full-service creative studio Carbon has added colorist Aubrey Woodiwiss as senior colorist/director of color grading to their LA roster. He comes to Carbon with a portfolio that includes spots for Dulux, NBA 2K17, Coors and Honda, and music videos for Beyonce’s Formation, Jay-Z’s On to the Next One and the Calvin Harris/Rihanna song This Is What You Came For.

“I’m always prepared to bend and shape myself around the requirements of the project at hand, but always with a point of view,” says Woodiwiss, who honed his craft at The Mill and Electric Theater Collective during his career.

“I am fortunate to have been able to collate various experiences within life and work, and have been able to reapply them back into the work I do. I vary my approach and style as required, and never bring a labored or autonomous look to anything. Communication is key, and a large part of what I do as well,” he adds.

Woodiwiss’ focus on creativity began during his adolescence, when he experimented with editing films on VHS and later directed and cut homemade music videos. Woodiwiss started his pro career in the early 2000s at Framestore, first as a runner and then as a digital lab operator, helping to pioneer film scanning and digital film tech on Harry Potter, Love Actually, Bridget Jones Diary and Troy.

While he’s traversed creative mediums from film, commercials, music videos and on over 3,000 projects, he maintains a linear mindset when it comes to each project. “I approach them similarly in that I try to realize the vision set by the creators of the project,” says Woodiwiss, who co-creative directed the immersive mixed media art exhibition and initiative mentl, with Pulse Films director Ben Newman and producer Craig Newman (Radiohead, Nick Cave).

Carbon’s addition of the FilmLight Baselight color system and Woodiwiss as senior colorist to its established VFX/design services hammers home the studio’s move toward a complete post solution in Los Angeles. Plans are in the works to offer remote grading capabilities from any of the Carbon offices in NY, Chicago and Los Angeles.

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Deb Oh joins Nylon Studios from Y&R

Music and sound boutique Nylon Studios, which has offices in NYC and Sydney, has added Deb Oh as senior producer. A classically trained musician, Oh has almost a decade of experience in the commercial music space, working as a music supervisor and producer on both the agency and studio sides.

She comes to Nylon from Y&R, where she spent two years working as a music producer for Dell, Xerox, Special Olympics, Activia and Optum, among others. Outside of the studio, Oh has continued to pursue music, regularly writing and performing with her band Deb Oh & The Cavaliers and serving as music supervisor for the iTunes podcast series, “Limetown.”

A lifelong musician, Oh grew up learning classical piano and singing at a very early age. She began writing and performing her own music in high school and kept up her musical endeavors while studying Political Science at NYU. Following graduation, she made the leap to follow her passion for music full time, landing as a client service coordinator at Headroom. She was then promoted to music supervisor. After five years with the audio shop, she made the leap to the agency side to broaden her skillset and glean perspective into the landscape of vendors, labels and publishers in the commercial music industry.

 


Zoic Studios adds feature film vet Lou Pecora as VFX supervisor

Academy Award-nominated Lou Pecora has joined Zoic Studios’ Culver City studio as VFX supervisor. Pecora has over two decades of experience in visual effects, working across commercial, feature film and series projects. He comes to Zoic from Digital Domain, where he spent 18 years working on large-scale feature film projects as a visual effects supervisor and compositing supervisor.

Pecora has worked on films including X Men: Apocalypse, Spider-Man: Homecoming, X-Men: Days of Future Past (his Oscar nom), Maleficent, Pirates of the Caribbean: At World’s End, I, Robot, Transformers: Revenge of the Fallen, Transformers: Dark of the Moon, Star Trek, G.I. Joe: Retaliation, Stealth, The Mummy: Tomb of the Emperor, How the Grinch Stole Christmas, Flags of Our Fathers and Letters From Iwo Jima, among others.

“There has been a major shift in the television landscape, with a much greater volume of work and substantially higher production values than ever before,” says Pecora. “Zoic has their hands in a diverse range of high-end television projects, and I’m excited to bring my experience in the feature film space to this dynamic sector of the entertainment industry.”

The addition of Pecora comes on the heels of several high-profile projects at Zoic, including work on Darren Aronofsky’s thriller Mother!, Game of Thrones for HBO and Marvel’s The Defenders for Netflix.

 


Nylon Studios ups composer Zac Colwell to CD

Music and sound boutique Nylon Studios has promoted composer Zac Colwell to creative director of music at their NYC studio. Colwell joined Nylon in 2015 and will become the studio’s first creative director to meet the increased scope of creative projects out of the music and sound shop in the US market.

Colwell is a multi-instrumentalist who has toured the world with numerous groups, including Big Data, Sondre Lerche, Kishi Bashi and others. He has composed original tracks for such top brands as Aetna, M.A.C, Zac Posen, Honey Nut Cheerios and Unicef. As creative director, Colwell will oversee all creative output from the NYC studio, encompassing original compositions, sound design, spatial audio, mix and music licensing. Nylon also has a studio in Sydney.

“Not only is [Zac] an incredibly talented musician, but he also has a deep understanding of how music can enhance pictures to communicate to their most effective and engaging degree,” notes global executive producer Hamish Macdonald.

Colwell, an Austin native, grew up in a musical family, playing drums, piano, guitar, saxophone and flute. A classically-trained jazz composer, he continues to perform and compose outside of Nylon. In addition to his commercial compositions, he is the drummer and producer of Chappo, sings his own songs with Fancy Colors, produces artists of all different genres, and most recently toured with Bleachers.


Eleven’s Ben Freer celebrates 10 years, Jordan Meltzer now mixer

Eleven, a Santa Monica-based audio boutique, has some mixer news. Ben Freer is celebrating his 10th year with the studio, and Jordan Meltzer has been promoted to mixer and sound designer.

A Manchester-native with a California upbringing, Freer was inspired by all things sound from a young age and was first introduced to Eleven as an intern in 2007. Mentored by Eleven founder/mixer Jeff Payne and quickly climbing the ranks to become an official staff member the same year. Freer has mixed for renowned clients in the advertising and multimedia industries, including Toyota, GMC, T-Mobile, Nike, H&R Block, The Weeknd and Lorde.

“When I started at Eleven, I didn’t know much about audio mixing, I just knew that I wanted to immerse myself in it,” says Freer. “Working with the industry’s best and eventually getting my own mix room has been an incredibly humbling experience.”

Los Angeles native Jordan Meltzer got hooked on sound and began gravitating toward the craft after seeing The Who perform at the Hollywood Bowl at age 9. He played in bands while growing up in the San Fernando Valley, eventually completing his BA in audio post production from Emerson College. After joining Eleven as an intern, similar to Freer, he climbed the ranks and took on a newfound role as assistant mixer, building his portfolio on a variety of films and commercials with clients HP, Dodge, Disney, FitBit and Sam Smith. Meltzer’s contributions led him to a recent promotion as mixer and sound designer.

“Climbing the Eleven ladder has been fulfilling, satisfying and challenging,” says Meltzer. “I remember sitting in the studio as an intern with Ben and Jeff, trying to learn and absorb it all. I always saw myself sitting in the chair, and it’s truly an honor to now be recognized as a mixer at such a warm, supportive and creative company.”

Main Image: L-R: Ben Freer and Jordan Meltzer


Director Jon Barber joins Raucous Content

Hollywood-based production house Raucous Content has added trilingual director Jon Barber to its roster. Over the past decade, Barber has worked with agencies such as BBDO, Crispin Porter Bogusky, Leo Burnett, McCann Erikson, Mullen, Publicis, Saatchi & Saatchi, Sid Lee, Taxi and Y&R. He has directed spots for brands as varied as Burger King, BMW, Coke, Chobani, Doritos, FedEx, Mercedes, Timberland and McDonald’s, among others.

Barber fell in love with filmmaking as an Army brat based in Germany, where he spent much of his young adult life. Barber went on to study at the University of Vermont and the University of Salzburg in Austria before ending up in Los Angeles to gain production experience and kick-start his directing career.

In 2006, Barber relocated to Montreal and worked extensively throughout Canada, Europe and the US on everything from commercials to short films and music videos. Joining Raucous means Barber will call Los Angeles home.

Only a year old, Raucous Content has continued to grow its pool content creators. The Raucous directorial roster includes Ben Callner, Keith Ehrlich, Luis Gerard, Adam Gunser, Chris Hooper, Paul Iannachino, Vance Malone, Rob McElhenney, Matt Rainwaters, Daniel Strange and Matt Shakman, who recently helmed two episodes of Game of Thrones, including the bombastic Loot Train fight at the end of the episode “Spoils of War.”

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Charlieuniformtango adds director Elliot Dillman to roster

Director Elliot Dillman has joined Charlieuniformtango for national commercial and VR representation. His directorial experience spans broadcast commercials, branded VR content, music videos and multi-camera live events.

He has been at the helm of national ad campaigns for a number of top agencies including GSD&M, CP+B, Leo Burnett, Y&R and BBDO, directing spots for brands such as Kraft, Nerf, GMC and Subway.

Recently, Dillman’s work with Verizon and Momentum Worldwide received two 2017 Clio Awards for the “Virtual Gridiron” VR experience at Super Bowl LI. Also, his short film, “In Harmony,” part of the Oculus VR for Good program, premiered at the Oculus house during the 2017 Sundance Film Festival and was an official selection of SXSW 2017. The film examines the Harmony Project’s work to help Los Angeles kids stay in school through educational music programs. “

Dillman is the oldest son of Emmy-winning director Ray Dillman, so he grew up on film sets. He started working regularly as a PA at age 12 for production companies like Gartner and MJZ. While studying at Loyola Marymount University’s School of Film and Television, Dillman simultaneously began his directing career with multi-camera live concert shoots for the ESPN Summer and Winter X Games. Shortly after graduating, he directed feature film tie-in spots for Sony Pictures, Warner Bros. and Paramount, along with ad campaigns for the Walt Disney Company and Royal Purple Motor Oil, amongst others.


Big Block adds comedy director Richard Farmer

Who doesn’t like to laugh? No one. Well hardly no one. So when a director is able to evoke that sort of response from an audience, it’s amazing. That was the thinking behind Big Block’s addition of comedy director Richard Farmer.

This Oklahoma native began his career as an agency producer in Los Angeles after spending time post-college living in London, Seattle and Prague, working on indie films and videos. After a few years, he went on to produce for Mindfield, a production, editorial, and animation company for commercial television and music videos.

Since stepping behind the lens, Farmer has directed a prolific amount of commercials, each featuring his absurdist humor. Whether it’s carnivorous bunnies for Wendy’s, a magically appearing Fancy Bear for Free Credit Score or creating ’90s R&B songs about iconic memes for LG V20 phones, Farmer knows just how to create a memorable and compelling spot.

The recent LG spots are an example of Farmer’s style. Shot exclusively on the LG V20 phone, Farmer took well-known memes, from Double Rainbow to Damn Daniel and “remastered” them in high quality, showcasing a mash-up of his skills across the realms of narrative, music and VFX. Farmer has already hit the ground running at Big Block, having just booked a job for Simon Malls.

We asked Farmer what he likes about working with editors on his projects: “I love it when the editor really embraces that they are a partner in the process and know they have the freedom to take risks. Editors that are brave enough to push the creative and what was shot to new areas. Freak me out. Open it up and move the boundary. Show me new possibilities. I’m always blown away when that magic happens.”

 

Benji Davidson joins Brickyard VFX

Brickyard VFX in Santa Monica has added VFX supervisor Benji Davidson to its staff. Davidson’s experience includes live-action directing, creative directing and VFX supervision. He joins Brickyard from MPC, where he served as VFX supervisor since 2008.

In his career, Davidson has worked as an on-set VFX supervisor, lead 2D artist and director, among other things. Born and raised in England, he got his start at acclaimed commercial production company HKM/The Directors Bureau before joining MPC LA.

His notable projects include Activision’s Call of Duty: Black Ops III Seize Glory, EA Sports’ Madden NFL 16 Madden: The Movie, Samsung’s Do What You Can’t and Super Bowl spots for Coca-Cola and Acura. He also contributed to the Los Angeles Olympics bid.

“I think in today’s climate, with rapid turnarounds, there is a benefit to being involved early on,” says Davidson. “I aim to help the director and agency, not hinder them. I’ve enjoyed being on set, sometimes that’s the only place everybody is together, which is invaluable when you get to post. You already know the expectations. There’s a secret short-hand from that shared experience.”

Brickyard is a digital production studio working in high-end visual effects, animation, design and creative development for advertising, feature films and emerging media.