Category Archives: HPA

HPA celebrates creatives at annual awards ceremony

The Hollywood Professional Association‘s 2017 HPA Awards, held on November 16, recognize individuals and companies for outstanding post production contributions made in the creation of feature films, television, commercials and entertainment content.

Awards were given out in 12 creative categories honoring color grading, sound, editing and visual effects for commercials, television and feature film. Larry Chernoff of MTI received the Lifetime Achievement Award, and special awards were presented for Engineering Excellence and Creativity and Innovation.

The winners of the 2017 HPA Awards are:

Outstanding Color Grading
Outstanding Color Grading – Feature Film

WINNER:
“Ghost in the Shell”
Michael Hatzer // Technicolor – Hollywood

“The Birth of a Nation”
Steven J. Scott // Technicolor – Hollywood

“Hidden Figures”
Natasha Leonnet // Efilm

“Doctor Strange”
Steven J. Scott // Technicolor – Hollywood

“Beauty and the Beast”
Stefan Sonnenfeld // Company 3

“Fences”
Michael Hatzer // Technicolor – Hollywood

Outstanding Color Grading – Television

WINNER:
“The Crown – Smoke and Mirrors”
Asa Shoul // Molinare

“The Last Tycoon – Burying the Boy Genius”
Timothy Vincent // Technicolor – Hollywood

“Game of Thrones – Dragonstone”
Joe Finley // Chainsaw

“Genius – Einstein: Chapter 1”
Pankaj Bajpai // Encore Hollywood

“The Man in the High Castle – Detonation”
Roy Vasich // Technicolor

Outstanding Color Grading – Commercial

WINNER:
Jose Cuervo – “Last Days”
Tom Poole // Company 3

Land O’ Lakes – “The Farmer”
Billy Gabor // Company 3

Pennzoil – “JOYRIDE Tundra”
Dave Hussey // Company 3

Nedbank – “The Tale of a Note”
Sofie Borup // Company 3

Squarespace – “John’s Journey”
Tom Poole // Company 3

Outstanding Editing
Outstanding Editing – Feature Film   

WINNER:
“Dunkirk”
Lee Smith, ACE

“Hidden Figures”
Peter Teschner

“The Ivory Game”
Verena Schönauer

“Get Out”
Gregory Plotkin, ACE

“Lion”
Alexandre de Franceschi

Outstanding Editing – Television

WINNER:
“Stranger Things – Chapter 1: The Vanishing of Will Byers”
Dean Zimmerman

Outstanding Editing – Commercial

WINNER:
Nespresso – “Comin’ Home”
Chris Franklin // Big Sky Edit 

Bonafont – “Choices”
Doobie White // Therapy Studios

Optum – “Heroes”
Chris Franklin // Big Sky Edit

SEAT – “Moments”
Doobie White // Therapy Studios

Outstanding Sound
Outstanding Sound – Feature Film

WINNER:
“Guardians of the Galaxy Vol. 2”
Addison Teague, Dave Acord, Chris Boyes, Lora Hirschberg // Skywalker Sound

“Fate of the Furious”
Peter Brown, Mark Stoeckinger, Paul Aulicino, Steve Robinson, Bobbi Banks // Formosa Group

“Sully”
Alan Murray, Bub Asman, John Reitz, Tom Ozanich // Warner Bros. Post Production Creative Services

“John Wick: Chapter 2”
Mark Stoeckinger, Alan Rankin, Andy Koyama, Martyn Zub, Gabe Serrano // Formosa Group

“Doctor Strange”
Shannon Mills, Tom Johnson, Juan Peralta, Dan Laurie // Skywalker Sound

Stranger Things

Stranger Things

Outstanding Sound – Television

WINNERS (TIE):
“Stranger Things – Chapter 8: The Upside Down”
Craig Henighan // FOX
Bradley North, Joe Barnett, Adam Jenkins, Jordan Wilby, Tiffany S. Griffith // Technicolor – Hollywood

“American Gods – The Bone Orchard”
Bradley North, Joseph DeAngelis, Kenneth Kobett, David Werntz, Tiffany S. Griffith // Technicolor – Hollywood

“Underground – Soldier”
Larry Goeb, Mark Linden, Tara Paul // Sony Pictures Post

“Game of Thrones – The Spoils of War”
Tim Kimmel, MPSE, Paula Fairfield, Mathew Waters, CAS, Onnalee Blank, CAS, Bradley C. Katona, Paul Bercovitch // Formosa Group

“The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble”
Pete Horner // Skywalker Sound
Dimitri Tisseyre // Envelope Music + Sound
Dennis Hamlin // Hamlin Sound

Outstanding Sound – Commercial 

WINNER:
Rio 2016 Paralympic Games – “We’re The Superhumans”
Anthony Moore // Factory

Honda – “Up”
Anthony Moore, Neil Johnson, Jack Hallett // Factory
Sian Rogers // SIREN

Virgin Media – “This Is Fibre”
Anthony Moore // Factory

Kia – “Hero’s Journey”
Nathan Dubin // Margarita Mix Santa Monica

SEAT – “Moments”
Doobie White // Therapy Studios

War for the Planet of the Apes

Outstanding Visual Effects
Outstanding Visual Effects – Feature Film

WINNER:
“War for the Planet of the Apes”
Dan Lemmon, Anders Langlands, Luke Millar, Erik Winquist, Daniel Barrett // Weta Digital

“Pirates of the Caribbean: Dead Men Tell No Tales”
Gary Brozenich, Sheldon Stopsack, Patrick Ledda, Richard Clegg, Richard Little // MPC

“Beauty and the Beast”
Kyle McCulloch, Glen Pratt, Richard Hoover, Dale Newton, Neil Weatherley // Framestore

“Guardians of the Galaxy Vol. 2”
Guy Williams, Kevin Andrew Smith, Charles  Tait, Daniel Macarin, David Clayton // Weta Digital

“Ghost in the Shell”
Guillaume Rocheron, Axel Bonami, Arundi Asregadoo, Pier Lefebvre, Ruslan Borysov // MPC

Outstanding Visual Effects – Television

WINNER:
“Black Sails – XXIX”
Erik Henry
Yafei Wu, Nicklas Andersson, David Wahlberg // Important Looking Pirates
Martin Lippman // Rodeo

“The Crown – Windsor”
Ben Turner, Tom Debenham, Oliver Cubbage, Lionel Heath, Charlie Bennett // One of Us

“Taboo – Episode One”
Henry Badgett, Nic Birmingham, Simon Rowe, Alexander Kirichenko, Finlay Duncan // BlueBolt VFX

“Ripper Street – Occurrence Reports”
Ed Bruce, Nicholas Murphy, Denny Cahill, Piotr Swigut, Mark Pinheiro // Screen Scene

“Westworld – The Bicameral Mind”
Jay Worth // Deep Water FX
Bobo Skipper, Gustav Ahren, Jens Tenland // Important Looking Pirates
Paul Ghezzo // COSA VFX

Outstanding Visual Effects – Commercial

WINNER:
Kia – “Hero’s Journey”
Robert Sethi, Chris Knight, Tom Graham, Jason Bergman // The Mill

Walmart – “Lost & Found”
Morgan MacCuish, Michael Ralla, Aron Hjartarson, Todd Herman // Framestore

Honda – “Keep the Peace”
Laurent Ledru, Georgia Tribuiani, Justin Booth-Clibborn, Ellen Turner // Psyop

Nespresso – “Comin’ Home”
Matt Pascuzzi, Martin Lazaro, Murray Butler, Nick Fraser, Callum McKevney // Framestore

Walmart – “The Gift”
Mike Warner, Kurt Lawson, Charles Trippe, Robby  Geis // ZERO VFX

The following special awards, which were previously announced, were also presented this evening:

HPA ENGINEERING EXCELLENCE AWARD
2017 Winners:
-Colorfront // Colorfront Engine
-Dolby // Dolby Vision Post-Production Tools
-Red Digital Cinema // Weapon 8K Vista Vision
-SGO // Mistika VR

Honorable Mentions were awarded to Canon USA, Inc. for Critical Viewing Reference Displays and to Eizo for ColorEdge CG318-4K.

HPA JUDGES AWARD FOR CREATIVITY AND INNOVATION

2017 Winner
NASA, Amazon Web Services, and AWS Elemental, an Amazon Web Services Company // The First Live 4K Stream from the International Space Station

HPA LIFETIME ACHIEVEMENT AWARD
2017 Honoree: Larry Chernoff

Creative nominees named for HPA Awards

Nominees in the creative categories for the 2017 HPA Awards have been announced. Receiving a record-breaking number of entrants this year, the HPA Awards creative categories recognize the outstanding work done by individuals and teams who bring compelling content to a global audience.

Launched in 2006, the HPA Awards recognize outstanding achievement in editing, sound, visual effects and color grading for work in television, commercials and feature films. The winners of the 12th Annual HPA Awards will be announced on November 16 at the Skirball Cultural Center in Los Angeles.

The 2017 HPA Award nominees are:

Outstanding Color Grading – Feature Film
The Birth of a Nation
Steven J. Scott // Technicolor – Hollywood

Ghost in the Shell
Michael Hatzer // Technicolor – Hollywood

Photo Credit: Hopper Stone.

Hidden Figures

Hidden Figures
Natasha Leonnet // Efilm

Doctor Strange
Steven J. Scott // Technicolor – Hollywood

Beauty and the Beast
Stefan Sonnenfeld // Company 3

Fences
Michael Hatzer // Technicolor – Hollywood

Outstanding Color Grading – Television
The Last Tycoon – Burying the Boy Genius
Timothy Vincent // Technicolor – Hollywood

Game of Thrones – Dragonstone
Joe Finley // Chainsaw

Genius – Einstein: Chapter 1
Pankaj Bajpai // Encore Hollywood

The Crown – Smoke and Mirrors
Asa Shoul // Molinare

The Man in the High Castle – Detonation
Roy Vasich // Technicolor

Outstanding Color Grading – Commercial
Land O’ Lakes – The Farmer
Billy Gabor // Company 3

Pennzoil – Joyride Tundra
Dave Hussey // Company 3

Jose Cuervo – Last Days
Tom Poole // Company 3

Nedbank – The Tale of a Note
Sofie Borup // Company 3

Squarespace – John’s Journey
Tom Poole // Company 3

Outstanding Editing – Feature Film
Hidden Figures
Peter Teschner

Dunkirk
Lee Smith, ACE

The Ivory Game
Verena Schönauer

Get Out
Gregory Plotkin

Lion
Alexandre de Franceschi

Game of Thrones

Outstanding Editing – Television
Game of Thrones – Stormborn
Tim Porter, ACE

Stranger Things – Chapter 1: The Vanishing of Will Byers
Dean Zimmerman

Game of Thrones – The Queen’s Justice
Jesse Parker

Narcos – Al Fin Cayo!
Matthew V. Colonna, Trevor Baker

Westworld – The Original
Stephen Semel, ACE, Marc Jozefowicz

Game of Thrones – Dragonstone
Crispin Green

Outstanding Editing – Commercial
Nespresso – Comin’ Home
Chris Franklin // Big Sky Edit

Bonafont – Choices
Doobie White // Therapy Studios

Optum – Heroes
Chris Franklin // Big Sky Edit

SEAT – Moments
Doobie White // Therapy Studios

Outstanding Sound – Feature Film
Fate of the Furious
Peter Brown, Mark Stoeckinger, Paul Aulicino, Steve Robinson, Bobbi Banks // Formosa Group

Guardians of the Galaxy Vol. 2
Addison Teague, Dave Acord, Chris Boyes, Lora Hirschberg // Skywalker Sound

Sully
Alan Murray, Bub Asman, John Reitz, Tom Ozanich // Warner Bros. Post Production Creative Services

John Wick: Chapter 2
Mark Stoeckinger, Alan Rankin, Andy Koyama, Martyn Zub, Gabe Serano // Formosa Group

Doctor Strange
Shannon Mills, Tom Johnson, Juan Peralta, Dan Lauris // Skywalker Sound

Outstanding Sound – Television
Underground – Soldier
Larry Goeb, Mark Linden, Tara Paul // Sony Pictures Post

Stranger Things – Chapter 8: The Upside Down
Craig Henigham // FOX
Joe Barnett, Adam Jenkins, Jordan Wilby, Tiffany Griffith // Technicolor – Hollywood

Game of Thrones – The Spoils of War
Tim Kimmel, MPSE, Paula Fairfield, Mathew Waters, CAS, Onnalee Blank, CAS, Bradley C. Katona, Paul Bercovitch // Formosa Group

The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble
Pete Horner // Skywalker Sound
Dimitri Tisseyre // Envelope Music + Sound
Dennis Hamlin // Hamlin Sound

American Gods – The Bone Orchard
Bradley North, Joseph DeAngelis, Kenneth Kobett, David Werntz, Tiffany S. Griffith // Technicolor

Outstanding Sound – Commercial
Honda – Up
Anthony Moore, Neil Johnson, Jack Hallett // Factory
Sian Rogers // SIREN

Virgin Media – This Is Fibre
Anthony Moore // Factory

Kia – Hero’s Journey
Nathan Dubin // Margarita Mix Santa Monica

SEAT – Moments
Doobie White // Therapy Studios

Rio 2016 Paralympic Games – We’re the Superhumans
Anthony Moore // Factory

Outstanding Visual Effects – Feature Film
Pirates of the Caribbean: Dead Men Tell No Tales
Gary Brozenich, Sheldon Stopsack, Patrick Ledda, Richard Clegg, Richard Little // MPC

War for the Planet of the Apes

War for the Planet of the Apes
Dan Lemmon, Anders Langlands, Luke Millar, Erik Winquist, Daniel Barrett // Weta Digital

Beauty and the Beast
Kyle McCulloch, Glen Pratt, Richard Hoover, Dale Newton, Neil Weatherley // Framestore

Guardians of the Galaxy Vol. 2
Guy Williams, Kevin Andrew Smith, Charles Tait, Daniel Macarin, David Clayton // Weta Digital

Ghost in the Shell
Guillaume Rocheron, Axel Bonami, Arundi Asregadoo, Pier Lefebvre, Ruslan Borysov // MPC

Outstanding Visual Effects – Television
Black Sails – XXIX
Erik Henry
Yafei Wu, Nicklas Andersson, David Wahlberg // Important Looking Pirates
Martin Lippman // Rodeo

Westworld

The Crown – Windsor
Ben Turner, Tom Debenham, Oliver Cubbage, Lionel Heath, Charlie Bennett // One of Us

Taboo – Episode One
Henry Badgett, Nic Birmingham, Simon Rowe, Alexander Kirichenko, Finlay Duncan // BlueBolt VFX

Ripper Street – Occurrence Reports
Ed Bruce, Nicholas Murphy, Denny Cahill, Piotr Swigut, Mark Pinheiro // Screen Scene

Westworld – The Bicameral Mind
Jay Worth // Deep Water FX
Bobo Skipper, Gustav Ahren, Jens Tenland // Important Looking Pirates
Paul Ghezzo // Cosa VFX

Outstanding Visual Effects – Commercial
Walmart – Lost & Found
Morgan MacCuish, Michael Ralla, Aron Hjartarson, Todd Herman // Framestore

Honda – Keep the Peace
Laurent Ledru, Georgia Tribuiani, Justin Booth-Clibborn, Ellen Turner // Psyop

Nespresso – Comin’ Home
Martin Lazaro, Murray Butler, Nick Fraser, Callum McKevney // Framestore

Kia – Hero’s Journey
Robert Sethi, Chris Knight, Tom Graham, Jason Bergman // The Mill

Walmart – The Gift
Mike Warner, Kurt Lawson, Charles Trippe, Robby Geis // Zero VFX

In other awards news, Larry Chernoff has been named recipient of the Lifetime Achievement Award. Winners of the coveted Engineering Excellence Award include Colorfront Engine by Colorfront, Dolby Vision Post Production Tools by Dolby, Mistika VR by SGO and the Weapon 8K Vista Vision by Red Digital Cinema. These special awards will be bestowed at the HPA Awards gala as well.

The HPA Awards gala ceremony is expected to be a sold-out affair and early ticket purchase is encouraged. Tickets for the HPA Awards are on sale now and can be purchased online at www.hpaawards.net.

Dell 6.15

2017 HPA Engineering Excellence Award winners

The HPA has announced the winners of the 2017 Engineering Excellence Award. Colorfront, Dolby, SGO and Red Digital Cinema will be awarded this year’s honor, which recognizes “outstanding technical and creative ingenuity in media, content production, finishing, distribution and/or archiving.”

The awards will be presented November 16, 2017 at the 12th annual HPA Awards show in Los Angeles.

The winners of the 2017 HPA Engineering Excellence Award are:

Colorfront Engine
An automatically managed, ACES-compliant color pipeline that brings plug-and-play simplicity to complex production requirements, Colorfront Engine ensures image integrity from on-set to the finished product.

Dolby Vision Post Production Tools
Dolby Vision Post Production Tools integrate into existing color grading workflows for both cinema and home deliverable grading, preserving more of what the camera originally captured and limiting creative trade-offs.

SGO’s Mistika VR
Mistika VR is SGO’s latest development and is an affordable VR-focused solution with realtime stitching capabilities using SGO’s optical flow technology.

Red’s Weapon 8K Vista Vision
Weapon with the Dragon 8K VV sensor delivers stunning resolution and image quality, and at 35 megapixels, 8K offers 17x more resolution than HD and over 4x more than 4K.

In addition, honorable mentions will also be awarded to Canon USA for Critical Viewing Reference Displays and Eizo for the ColorEdge CG318-4K.

Joachim Zell, who chairs the committee for this award, said, “Entries for the Engineering Excellence Award were at one of the highest levels ever, on a par with last year’s record breaker, and we saw a variety of serious technologies. The HPA Engineering Excellence Award is meaningful to those who present, those who judge, and the industry. It sounds a bit cliché to say that we had a very tight outcome, and it was a really competitive field this year. Congratulations to the winners and to the nominees for another great year.”

The HPA Awards will also recognize excellence in 12 craft categories, covering color grading, editing, sound and visual effects, and Larry Chernoff will receive the 2017 HPA Lifetime Achievement award.


HPA Tech Retreat takes on VR/AR at Tech Retreat Extra

The long-standing HPA Tech Retreat is always a popular destination for tech-focused post pros, and while they have touched on virtual reality and augmented reality in the past, this year they are dedicating an entire day to the topic — February 20, the day before the official Retreat begins. TR-X (Tech Retreat Extra) will feature VR experts and storytellers sharing their knowledge and experiences. The traditional HPA Tech Retreat runs from February 21-24 in Indian Wells, California.

TR-X VR/AR is co-chaired by Lucas Wilson (Founder/Executive Producer at SuperSphereVR) and Marcie Jastrow (Senior VP, Immersive Media & Head of Technicolor Experience Center), who will lead a discussion focused on the changing VR/AR landscape in the context of rapidly growing integration into entertainment and applications.

Marcie Jastrow

Experts and creative panelists will tackle questions such as: What do you need to understand to enable VR in your environment? How do you adapt? What are the workflows? Storytellers, technologists and industry leaders will provide an overview of the technology and discuss how to harness emerging technologies in the service of the artistic vision. A series of diverse case studies and creative explorations — from NASA to the NFL — will examine how to engage the audience.

The TR-X program, along with the complete HPA Tech Retreat program, is available here. Additional sessions and speakers will be announced.

TR-X VR/AR Speakers and Panel Overview
Monday, February 20

Opening and Introductions
Seth Hallen, HPA President

Technical Introduction: 360/VR/AR/MR
Lucas Wilson

Panel Discussion: The VR/AR Market
Marcie Jastrow
David Moretti, Director of Corporate Development, Jaunt
Catherine Day, Head of VR/AR, Missing Pieces
Phil Lelyveld, VR/AR Initiative Program Lead, Entertainment Technology Center at USC

Acquisition Technology
Koji Gardiner, VP, Hardware, Jaunt

Live 360 Production Case Study
Andrew McGovern, VP of VR/AR Productions, Digital Domain

Live 360 Production Case Study
Michael Mansouri, Founder, Radiant Images

Interactive VR Production Case Study
Tim Dillon, Head of VR & Immersive Content, MPC Advertising USA

Immersive Audio Production Case Study
Kyle Schember, CEO, Subtractive

Panel Discussion: The Future
Alan Lasky, Director of Studio Product Development, 8i
Ben Grossmann, CEO, Magnopus
Scott Squires, CTO, Creative Director, Pixvana
Moderator: Lucas Wilson
Jen Dennis, EP of Branded Content, RSA

Panel Discussion: New Voices: Young Professionals in VR
Anne Jimkes, Sound Designer and Composer, Ecco VR
Jyotsna Kadimi, USC Graduate
Sho Schrock, Chapman University Student
Brian Handy, USC Student

TR-X also includes an ATSC 3.0 seminar, focusing on the next-generation television broadcast standard, which is nearing completion and offers a wide range of new content delivery options to the TV production community. This session will explore the expanding possibilities that the new standard provides in video, audio, interactivity and more. Presenters and panelists will also discuss the complex next-gen television distribution ecosystem that content must traverse, and the technologies that will bring the content to life in consumers’ homes.

Early registration is highly recommended for TR-X and the HPA Tech Retreat, which is a perennially sold-out event. Attendees can sign up for TR-X VR/AR, TR-X ATSC or the HPA Tech Retreat.

Main Image: Lucas Wilson.


2016 HPA Award winners

The Hollywood Professional Association (HPA) held its annual awards this week at the Skirball Cultural Center in Los Angeles. The HPA Awards recognize individuals and companies for outstanding contributions made in the creation of feature films, television, commercials, and entertainment content enjoyed around the world.

Awards were bestowed in creative craft categories honoring behind-the-scenes artistry, and a host of special awards were also presented.

The winners of the 2016 HPA Awards are:

Outstanding Color Grading – Feature Film

Carol
John Dowdell // Goldcrest Post Productions Ltd

WINNER – The Revenant
Steven J. Scott // Technicolor Production Services

Brooklyn
Asa Shoul // Molinare

The Martian
Stephen Nakamura // Company 3

The Jungle Book
Steven J. Scott // Technicolor Production Services

Outstanding Color Grading – Television

Vinyl – E.A.B
Steven Bodner // Deluxe/Encore NY

Fargo – The Myth of Sysiphus
Mark Kueper // Technicolor

Outlander – Faith
Steven Porter // MTI Film

WINNER – Gotham – By Fire
Paul Westerbeck // Encore Hollywood

Show Me A Hero – Part 1
Sam Daley // Technicolor PostWorks NY

Outstanding Color Grading – Commercial
Fallout 4The Wanderer
Siggy Ferstl / Company 3

Toyota Prius – Poncho
Sofie Borup // Company 3

NASCAR – Team
Lez Rudge // Nice Shoes

Audi R8 – Commander
Stefan Sonnenfeld // Company 3

Apple Music – History of Sound
Gregory Reese // The Mill

Pennzoil – Joyride Circuit
Dave Hussey // Company 3

WINNER – Hennessy – Odyssey
Tom Poole // Company 3

Outstanding Editing – Feature Film

The Martian
Pietro Scalia, ACE

The Big Short

The Revenant
Stephen Mirrione, ACE

WINNER – The Big Short
Hank Corwin, ACE

Sicario
Joe Walker, ACE

Spotlight
Tom McArdle, ACE

Outstanding Editing – Television (TIE)

Body Team 12
David Darg // RYOT Films

Underground – The Macon 7
Zack Arnold, Ian Tan // Sony Pictures Television

Vinyl – Pilot
David Tedeschi

martin-nicholson-ace-greg-babor-editing-for-tv-winners-at-2016-hpa-awards

Roots winners for editing, Martin Nicholson, ACE, Greg Babor

WINNER – Roots – Night One
Martin Nicholson, ACE, Greg Babor

WINNER – Game of Thrones – Battle of the Bastards
Tim Porter, ACE

Outstanding Editing – Commercial

WINNER – Wilson – Nothing Without It
Doobie White // Therapy Studios

Nespresso – Training Day
Chris Franklin // Big Sky Edit

Saucony – Be A Seeker
Lenny Mesina // Therapy Studios

Samsung – Teresa
Kristin McCasey // Therapy Studios

Outstanding Sound – Feature Film

Room
Steve Fanagan, Niall Brady, Ken Galvin // Ardmore Sound

Eye In The Sky
Craig Mann, Adam Jenkins, Bill R. Dean, Chase Keehn // Technicolor Creative Services

Batman Vs Superman: Dawn of Justice
Scott Hecker // Formosa Group
Chris Jenkins, Michael Keller // Warner Bros. Post Production Services

Zootopia
David Fluhr, CAS, Gabriel Guy, CAS, Addison Teague // Walt Disney Company

WINNER – Sicario
Alan Murray, Tom Ozanich, John Reitz // Warner Bros. Post Production Services

Outstanding Sound – Television

WINNER – Outlander – Prestonpans
Nello Torri, Alan Decker, Brian Milliken, Vince Balunas  // NBCUniversal Post Sound

Game of Thrones – Battle of the Bastards
Tim Kimmel, MPSE, Paula Fairfield, Mathew Waters, CAS, Onnalee Blank, CAS, Bradley C. Katona, Paul Bercovitch // Formosa Group

Preacher – See
Richard Yawn, Mark Linden, Tara Paul // Sony Sound

Marco Polo – One Hundred Eyes
David Paterson, Roberto Fernandez, Alexa Zimmerman, Glenfield Payne, Rachel Chancey // Harbor Picture Company

House of Cards – Chapter 45
Jeremy Molod, Ren Klyce, Nathan Nance, Scott R. Lewis, Jonathan Stevens // Skywalker Sound

Outstanding Sound – Commercial

WINNER – Sainsbury’s – ­Mog’s Christmas Calamity
Anthony Moore, Neil Johnson // Factory

Save the Children UK – Still The Most Shocking Second A Day
Jon Clarke // Factory

Wilson – Nothing Without It
Doobie White // Therapy Studios

Honda – Paper
Phil Bolland // Factory

Honda – Ignition
Anthony Moore // Factory

Outstanding Visual Effects – Feature Film

Star Wars: The Force Awakens
Jay Cooper, Yanick Dusseault, Rick Hankins, Carlos Munoz, Polly Ing // Industrial Light & Magic

WINNER – The Jungle Book
Robert Legato, Andrew R. Jones
Adam Valdez, Charley Henley // MPC
Keith Miller // Weta Digital

Captain America: Civil War
Russell Earl, Steve Rawlins, Francois Lambert, Pat Conran, Rhys Claringbull // Industrial Light & Magic

The Martian
Chris Lawrence, Neil Weatherley, Bronwyn Edwards, Dale Newton // Framestore

Teenage Mutant Ninja Turtles: Out of the Shadows
Pablo Helman, Robert Weaver, Kevin Martel, Shawn Kelly, Nelson Sepulveda // Industrial Light & Magic

Outstanding Visual Effects – Television

Supergirl – Pilot
Armen V. Kevorkian, Andranik Taranyan, Gevork Babityan, Elaina Scott, Art Sayan // Encore VFX

Ripper Street – The Strangers’ Home
Ed Bruce, Nicholas Murphy, Denny Cahill, John O’Connell // Screen Scene

Black Sails – XXI
Erik Henry // Starz
Matt Dougan // Digital Domain
Martin Ogren, Jens Tenland, Nicklas Andersson // ILP

The Flash – Guerilla Warfare
Armen V. Kevorkian, Thomas J. Conners, Andranik Taranyan, Gevork Babityan, Jason Shulman // Encore VFX

Holly Shiffman and Mike Chapman with VFX winner for Game of Thrones, Matthew Rouleau.

WINNER – Game of Thrones – Battle of the Bastards
Joe Bauer, Eric Carney // Fire & Blood Productions
Derek Spears // Rhythm & Hues 
Glenn Melenhorst // Iloura
Matthew Rouleau // Rodeo FX

Outstanding Visual Effects – Commercial

Sainsbury’s – Mog’s Christmas Calamity
Ben Cronin, Grant Walker, Rafael Camacho // Framestore

WINNER – Microsoft Xbox – Halo 5: The Hunt Begins
Ben Walsh, Ian Holland, Brian Delmonico, Brian Burke // Method

AT&T – Power of &amp
James Dick, Corrina Wilson, Euna Kho, Callum McKeveny // Framestore

Kohler – Never Too Next
Andy Boyd, Jake Montgomery, Zachary DiMaria, David Hernandez // JAMM

Gatorade – Sports Fuel
JD Yepes, Richard Shallcross // Framestore

Emerging Leader Award

2016 Winners- Jesse Korosi, Jennifer Zeidan

The following special awards, which were previously announced, were also presented this evening:

HPA Engineering Excellence Award

Sponsored by NAB Show

The HPA Engineering Excellence Award is recognized as one of the most important technology honors in the industry, spotlighting companies and individuals who draw upon technical and creative ingenuity to develop breakthrough technologies.  Submissions for this peer-judged award may include products or processes, and must represent a step forward for its industry beneficiaries.

2016 Winners 

Aspera: FASPStream

Grass Valley: GV Node Real Time IP Processing and Edge Routing Platform

RealD: Ultimate Screen

SGO: Mistika

Honorable mentions:
Grass Valley: LDX 86N Native 4K Series Camera

Canon USA, Inc.: 4K / UHD / 2K / HD display

HPA Judges Award for Creativity and Innovation

The HPA Judges Award for Creativity and Innovation recognizes companies and individuals who have demonstrated excellence, whether in the development of workflow and process to support creative storytelling or in technical innovation. The Judges Award for Creativity and Innovation is conferred by a jury of industry experts.

2016 Winner- The Mill: Blackbird

HPA Lifetime Achievement Award

The HPA Lifetime Achievement Award is given to an individual who is recognized for his or her service and commitment to the professional media content industry. The mission of the award is to give recognition to individuals who have, with great service, dedicated their careers to the betterment of the industry. The Lifetime Achievement Award is given at the discretion of the HPA Board of Directors and the HPA Awards Committee. It is not bestowed every year.

herb-dow

Herb Dow

2016 Honoree- Herb Dow, ACE

The Charles S. Swartz Award

The Charles S. Swartz Award is conferred on a person, group, or company that has made significant artistic, technological, business or educational impact across diverse aspects of the media industry. The award was named in honor of the late Charles S. Swartz, who led the Entertainment Technology Center at the University of Southern California from 2002 until 2006, building it into the industry’s premiere testing bed for new digital cinema technologies.

2016 Honoree – Michelle Munson, Founder and CEO of Aspera


Checking In: HPA Lifetime Achievement Award honoree Herb Dow

The HPA Lifetime Achievement Award, which will be handed out at the HPA Awards ceremony in Los Angeles tonight, is intended “to give recognition to individuals who have, with great service, dedicated their careers to the betterment of the industry.” That sentence perfectly describes this year’s honoree, Herb Dow, ACE.

Not only a hands-on editor with an impressive resume — including cutting episodes of such classic series as Fantasy Island and WKRP in Cincinnati — Herb has spent much of his career helping to build community within the post production world, whether at his roasts during NAB, his now bi-weekly Friday lunches in LA or with his Website postproductionpro.com, a sort of LinkedIn for the post world.

We recently reached out to Herb to ask him about how he got started in the industry, trends he’s seen over the years, and so much more.

You began your career as a film editor. Can you talk about what you loved most about the job and how you got started?
My entry into the business was marrying a film editor’s daughter 51 years ago. My wife’s father, Robert Swanson, was cutting Mannix at Desilu and he recommended me for an apprentice position in commercial integration on the lot. I spent eight years there moving up to Group 1 — back then the joke was you could go to medical school and be cutting brains faster. I loved editing. Putting together stories on film is a great career, and I still miss that aspect of my life.

Can you tell us some of the projects you worked on, and what you were cutting on when you started?
My first editing job was at MGM on a show called Lucan about a guy who turned into a wolf and solved crimes. It lasted seven episodes. I worked on 12 different series (none of which were picked up beyond the original order), but out of eight pilots, seven were picked up for series. I also cut MOWs and a few features.

You are considered a pioneer in nonlinear editing. How did you get involved in the development of the Ediflex system?
I had spent four years working at Culver Studios with a first floor cutting room. It had big picture windows, a beach mural on the wall that made it look like I was cutting on the beach, and speakers hanging from the ceiling playing loud rock music. Then I went over to Universal to cut on a show called Street Hawk. No windows, small room and not a great show.

I went to the head of post and said that I would finish the episode, but I was leaving and my assistant could take over. He asked why and I said no windows, etc. He said they were starting a new series at the Oakwood apartments on Pass and that it had a new-fangled electronic editing system and there were windows.

I went over and met Adrian Ettlinger. He created the CMX 600, the very first nonlinear system. The system was called Vidicut and had six VHS decks all with the same material and a Commodore 64 controlled with a light pen. I jumped at the chance to work on it and cut 24 episodes of Still the Beavers while helping Adrian modify the system to work for editors like myself. We formed a company with Milt Forman, Andy Maltz, Adrian and me called Cinedco. Then we renamed the system to Ediflex.

How has the world of nonlinear editing changed over the years?
Not much has changed since Avid came on the scene 30 years, aside from the computers getting faster. The big change is what I am involved in now, BeBop Technology  — editing in the cloud, which gets rid of all the machines.

What are the most significant changes you’ve seen in production and post over your time in the industry?
HD and 4K were substantial. The growth of the business has been astronomical, with many more content providers and outlets. There are a lot more jobs in post.

Looking forward, where do you see the post industry heading?
Well, I might be prejudiced, but I think using the cloud environment for post will change the industry dramatically. Freeing artists to work from anywhere they want with faster processors and no machinery to worry about is going to change our world of post.

Herb at one of his industry gatherings.

What does being given the HPA Lifetime Achievement Award mean to you?
I am so proud to be awarded this honor in my 50th year in post. I was mentored by a lot of wonderful men and women in this industry, and it really is a thank you to all of them for helping me with my career.

You have always been involved in fostering relationships with pros in the industry, from your Las Vegas roasts to your Friday lunches. Why is this so important to you?
It has always been about the people. I love the fraternity/sorority I belong to. My roasts and lunches are a way to be among more of these people all the time. I love them.

You’ve accomplished so much over the years. What is your proudest moment?
No question, it was the Ediflex changing the art form as we knew it. That was an incredible moment for me. And, actually, getting to do it all again with BeBop at the other end of my career is a gift from the gods.