Chatting with The Beguiled director Sofia Coppola

By Iain Blair

Sofia Coppola may belong to one of Hollywood’s most successful movie dynasties (see our recent interview with her mother, Eleanor), but she’s always marched to the beat of her own drum.

After making her acting debut in her dad’s iconic Godfather trilogy, Continue reading

Dell 6.15

Sound — Wonder Woman’s superpower

By Jennifer Walden

When director Patty Jenkins first met with supervising sound editor James Mather to discuss Warner Bros. Wonder Woman, they had a conversation about the physical effects of low-frequency sound energy on the human body, and how it could be used to manipulate an audience. Continue reading


David Michôd on directing Brad Pitt’s latest, War Machine

By Iain Blair

Aussie writer/director David Michôd first burst onto the scene with his 2010 feature film debut Animal Kingdom, a gritty crime drama that won the World Cinema Grand Jury Prize at the 2010 Sundance Film Festival and 10 Australian Film Institute awards. The film was also earned Academy Award and Golden Globe nominations for Best Supporting Actress (Jacki Weaver). Continue reading


The A-List: Director Ron Howard discusses National Geo’s Genius

By Iain Blair

Ron Howard has done it all in Hollywood. The former child star of The Andy Griffith Show and Happy Days not only successfully made the tricky transition to adult actor (at 22 he starred opposite John Wayne in The Shootist and was nominated for a Best Supporting Actor Oscar), Continue reading


Saturday Night Fever director John Badham looks back 40 years

By Iain Blair

English-born director/producer John Badham had never even been to Brooklyn, and admits that he “also didn’t know much about disco and dancing” when he took on the job of directing Saturday Night Fever. But that didn’t stop him from capturing the colorful street life of the gritty borough and making one of the most beloved, Continue reading


The A-List: Veteran director Walter Hill

By Iain Blair

Over the course of a long and storied career, writer, director and producer Walter Hill has done it all. His career began in the early 1970s with screenplay credits for The Getaway, starring Steve McQueen and Ali MacGraw, and The Drowning Pool, Continue reading


A chat with Emmy-winning comedy editor Sue Federman

This sitcom vet talks about cutting Man With A Plan and How I Met Your Mother.

By Dayna McCallum

The art of sitcom editing is overly enjoyed and underappreciated. While millions of people literally laugh out loud every day enjoying their favorite situation comedies, Continue reading


Creating a sonic world for The Zookeeper’s Wife

By Jennifer Walden

Warsaw, Poland, 1939. The end of summer brings the beginning of war as 140 German planes, Junkers Ju-87 Stukas, dive-bomb the city. At the Warsaw Zoo, Dr. Jan Żabiński (Johan Heldenbergh) and his wife Antonina Żabiński (Jessica Chastain) watch as their peaceful sanctuary crumbles: their zoo, Continue reading

The A-List: Their Finest director Lone Scherfig

By Iain Blair

Writer/director Lone Scherfig is that rarest of creatives — a respected and prolific female director whose films have been both critically acclaimed and commercially successful. Even more amazingly, the Danish-born Scherfig has managed to do that after making the tricky transition from her native tongue to English. Continue reading

A conversation with editor Hughes Winborne, ACE

This Oscar-winning editor talks about his path, his process, Fences and Guardians of the Galaxy.

By Chris Visser

In the world of feature film editing, Hughes Winborne, ACE, has done it all. From cutting indie features (1996’s Sling Blade) to CG-heavy action blockbusters (2014’s Guardians of the Galaxy) to winning an Oscar (2005’s Crash), Continue reading