Kevin Tent, ACE, on directorial debut Crash Pad and editing Downsizing

By Randi Altman

To say that Kevin Tent, ACE, is a prolific editor is in no way hyperbole. He has cut some of the most celebrated films of the last few years as a frequent collaborator of director Alexander Payne. They worked together on seven films, including Paramount’s upcoming Downsizing, Continue reading

Dell 6.15

Creating sounds for Battle of the Sexes

By Jennifer Walden

Fox Searchlight’s biographical sports, drama Battle of the Sexes, delves into the personal lives of tennis players Bobby Riggs (Steve Carell) and Billie Jean King (Emma Stone) during the time surrounding their famous televised tennis match in 1973, known as the Battle of the Sexes. Continue reading


Detroit editors William Goldenberg, ACE, and Harry Yoon

By Chris Visser

Kathryn Bigelow’s Detroit is not an easy film to watch. It deals with some very ugly moments in our nation’s history — specifically, Detroit’s 1967 12th Street Riot — and the challenge of adapting that history into a narrative feature film was no easy task. Continue reading


The A-List: LBJ director Rob Reiner

By Iain Blair

Director/producer/actor Rob Reiner has long been one of Hollywood’s most reliable, successful and versatile talents. Over the past three decades he’s created a beloved body of work in a diverse mixture of styles and genres that includes comedy (When Harry Met Sally, The American President), Continue reading


Director Todd Haynes on making Wonderstruck

By Iain Blair

Writer/director Todd Haynes is a supreme visual stylist with a deep affection for period pieces and a masterly touch when it comes to dealing with such adult themes as desire, repression and regret. Now Haynes — who was Oscar-nominated for his Far From Heaven ’50s drama — brings those gifts and his sense of wonder and imagination to his new film Wonderstruck, Continue reading


The A-List: Director Marc Webb on The Only Living Boy in New York

By Iain Blair

Marc Webb has directed movies both big and small. He made his feature film debut in 2009 with the low-budget indie rom-com (500) Days of Summer, which was nominated for two Golden Globes. He then went on to helm two recent The Amazing Spider-Man blockbusters, Continue reading


The A-List: Victoria & Abdul director Stephen Frears

By Iain Blair

Much like the royal subjects of his new film Victoria & Abdul and his 2006 offering, The Queen (which won him his second Oscar nomination), British director Stephen Frears has long been considered a national treasure. Of course, the truth is that he’s an international treasure. Continue reading


Mother! director Darren Aronofsky

By Iain Blair

Writer/director/producer Darren Aronofsky made a big splash when his debut feature Pi won the prestigious Director’s Award at the 1998 Sundance Film Festival. He then quickly followed that up with 2000’s acclaimed drama Requiem for a Dream.

But his hot streak and momentum came to a screeching halt in 2002 when Brad Pitt dropped out of his expensive and ambitious sci-fi epic The Fountain just weeks before shooting was due to start. Continue reading

Director Philippe Falardeau takes on boxing with Chuck

By Iain Blair

On the surface, French-Canadian director Philippe Falardeau — whose drama Monsieur Lazhar was Oscar-nominated for Best Foreign Language Film at the 84th Academy Awards — might appear to be an unusual choice to helm a boxing film. But in his inspired hands, Chuck, Continue reading

Veteran director Michael Apted on his latest film, Unlocked

By Iain Blair

Acclaimed British director Michael Apted is that rarity in today’s cinema — an extraordinarily versatile filmmaker who is comfortable in any genre and equally at home making big-budget tent poles or micro-budget documentaries.

His movies range from Oscar- and Golden Globe-winning dramas (Coal Miner’s Daughter, Continue reading