A chat with Emmy-winning comedy editor Sue Federman

This sitcom vet talks about cutting Man With A Plan and How I Met Your Mother.

By Dayna McCallum

The art of sitcom editing is overly enjoyed and underappreciated. While millions of people literally laugh out loud every day enjoying their favorite situation comedies, Continue reading

MTI 3.31

Creating a sonic world for The Zookeeper’s Wife

By Jennifer Walden

Warsaw, Poland, 1939. The end of summer brings the beginning of war as 140 German planes, Junkers Ju-87 Stukas, dive-bomb the city. At the Warsaw Zoo, Dr. Jan Żabiński (Johan Heldenbergh) and his wife Antonina Żabiński (Jessica Chastain) watch as their peaceful sanctuary crumbles: their zoo, Continue reading


The A-List: Their Finest director Lone Scherfig

By Iain Blair

Writer/director Lone Scherfig is that rarest of creatives — a respected and prolific female director whose films have been both critically acclaimed and commercially successful. Even more amazingly, the Danish-born Scherfig has managed to do that after making the tricky transition from her native tongue to English. Continue reading


A conversation with editor Hughes Winborne, ACE

This Oscar-winning editor talks about his path, his process, Fences and Guardians of the Galaxy.

By Chris Visser

In the world of feature film editing, Hughes Winborne, ACE, has done it all. From cutting indie features (1996’s Sling Blade) to CG-heavy action blockbusters (2014’s Guardians of the Galaxy) to winning an Oscar (2005’s Crash), Continue reading


Chatting with Scorsese’s go-to editor Thelma Schoonmaker

By Iain Blair

Thelma Schoonmaker and Martin Scorsese go together like Lennon and McCartney, or Ben and Jerry. It’s hard to imagine one without the other.

Simply put, Schoonmaker has been Martin Scorsese’s go-to editor and key collaborator over the course of 23 films and half a century, Continue reading


Rick Pearson on cutting Kong: Skull Island

By Randi Altman

Who doesn’t love a good King Kong movie? And who says a good King Kong movie has to have the hairy giant climbing the Empire State Building, lady in hand?

The Jordan Vogt-Roberts-directed Kong: Skull Island, which had an incredible opening weekend at the box office — and is still going strong — tells the story of a 1973 military expedition to map out an island where in 1944 two downed pilots happened upon a huge monster. Continue reading


Creating the color of Hacksaw Ridge

Australian colorist Trish Cahill first got involved in the DI on Mel Gibson’s Hacksaw Ridge when cinematographer Simon Duggan enquired about her interest and availability for the film. She didn’t have to consider the idea long before saying yes.

Hacksaw Ridge, Continue reading


A-List: Director Danny Boyle talks about T2 Trainspotting

By Iain Blair

It’s been 21 years since Danny Boyle’s Trainspotting stuck a heroin- and adrenaline-fueled needle into the jaded veins of pop culture, electrifying audiences everywhere with its terrifying fever-dream tale of Edinburgh junkies. Let’s not forget the shocking and provocative imagery — visions of dead babies crawling across ceilings and the scene of Ewan McGregor slipping down the disgusting toilet in search of his drugs. Continue reading

The sound of John Wick: Chapter 2 — bigger and bolder

The director and audio team share their process.

By Jennifer Walden

To achieve the machine-like precision of assassin John Wick for director Chad Stahelski’s signature gun-fu-style action films, Keanu Reeves (Wick) goes through months of extensive martial arts and weapons training. Continue reading

The A-list — Kong: Skull Island director Jordan Vogt-Roberts

By Iain Blair

Plucky explorers! Exotic locations! A giant ape! It can only mean one thing: King Kong is back… again. This time, the new Warner Bros. and Legendary Pictures’ Kong: Skull Island re-imagines the origin of the mythic Kong in an original adventure from director Jordan Vogt-Roberts (The Kings of Summer). Continue reading