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Colorist Stephen Nakamura on grading Stephen King’s It

By Randi Altman

A scary clown can be thanked for helping boost what had been a lackluster summer box office. In its first weekend, Stephen King’s It opened with an impressive $125 million. Not bad!

This horror film takes place in a seemingly normal small town, Continue reading

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Sony Imageworks’ VFX work on Spider-Man: Homecoming

By Daniel Restuccio

With Sony’s Spider-Man: Homecoming getting ready to release digitally on September 26 and on 4K Ultra HD/Blu-ray, Blu-ray 3D, Blu-ray and DVD on October 17, we thought this was a great opportunity to talk about some of the film’s VFX.

Sony Imageworks has worked on every single Spider-Man movie in some capacity since the 2002 Sam Raimi version. Continue reading


Behind the Title: Park Road Post’s Anthony Pratt

NAME: Anthony Pratt

COMPANY: Park Road Post Production

CAN YOU DESCRIBE YOUR COMPANY?
Park Road is a bespoke post production facility, and is part of the Weta Group of Companies based on the Miramar Peninsular in Wellington, Continue reading


VFX Roundtable: Trends and inspiration

By Randi Altman

The world of visual effects is ever-changing, and the speed at which artists are being asked to create new worlds, or to make things invisible is moving full-speed ahead. How do visual effects artists (and studios) prepare for these challenges, and what inspired them to get into this business? Continue reading


The hybridization of VFX and motion design

Plus the rise of the small studio

By Miguel Lee

There has long been a dichotomy between motion graphics and VFX because they have traditionally serviced very different creative needs. However, with the democratization of tools and the migration of talent between these two pillars of the CG industry, Continue reading


The importance of on-set VFX supervision

By Karen Maierhofer

Some contend that having a visual effects supervisor present on set during production is a luxury; others deem it a necessity. However, few, if any, see it as unnecessary.

Today, more and more VFX supes can be found alongside directors and DPs during filming, Continue reading

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Transitioning from VFX artist to director

By Karen Maierhofer

It takes a certain type of person to be a director — someone who has an in-depth understanding of the production process; is an exceptional communicator, planner and organizer; who possesses creative vision; and is able to see the big picture where one does not yet exist. Continue reading


The Third Floor: Previs and postvis for Wonder Woman

To help realize the cinematic world of Warner Bros.’s Wonder Woman, artists at The Third Floor London, led by Vincent Aupetit, visualized key scenes using previs and postvis. Work spanned nearly two years, as the team collaborated with director Patty Jenkins and visual effects supervisor Bill Westenhofer to map out key action and visual effects scenes. Continue reading

Review: Røde Mic’s Stereo VideoMic Pro Rycote

By Brady Betzel

There are a ton of microphone types out there, and when it comes to adding an external mic to a camera you need to know what kind of mic works best in different situations. For interviews, you most likely want a microphone that picks up the audio that is placed directly in front of the microphone. Continue reading

Behind the Title: Weta Workshop’s Jason Aldous

NAME: Jason Aldous

COMPANY: Wellington, New Zealand’s Weta Workshop

CAN YOU DESCRIBE YOUR COMPANY?
A weird and wonderful (emphasis on wonderful) collection of artists, craftspeople and some of the most creative minds I’ve ever had the pleasure of meeting. Continue reading