Bates Motel -- "Somebody's Mother" -- Cate Cameron/A&E Networks -- © 2015 A&E Networks, LLC. All Rights Reserved

Bates Motel’s Emmy-nominated composer Chris Bacon

By Jennifer Walden

The creators of A&E’s Bates Motel series have proven that it is possible to successfully rework a classic film for the small screen. The series, returning for Season 5 in 2017, is a contemporary prequel to Alfred Hitchcock’s Psycho. It tells the story of how a young Norman Bates becomes the Norman Bates of film legend. Continue reading

G-Tech 6-15

‘Suicide Squad’: Imageworks VFX supervisor Mark Breakspear 

By Randi Altman

In Warner Bros.’ Suicide Squad, a band of captured super-villains are released from prison by the government and tasked with working together to fight a common enemy, the evil Joker. This film, which held top box office honors for weeks, has a bit of everything: comic book antiheroes, Continue reading

AJA 7-6

Review: FxFactory’s AudioDenoise, EchoRemover, Xsend Motion

By Brady Betzel

Over the last few years, I’ve really enjoyed working on Windows-based PCs , but some of the drawbacks are the inability to use FCP X, Motion and any of their plug-ins. Recently, I opened my MacBook Pro once again because I found three plug-ins from FxFactory’s partners Automatic Duck and CrumplePop that I really wanted to check out inside of FCP X: AudioDenoise, Continue reading

AJA 7-6

Behind the Title: State Design ECD/Owner Marcel Ziul

NAME: Marcel Ziul

COMPANY: Los Angeles-based State Design

CAN YOU DESCRIBE YOUR COMPANY?
We’re a design, animation and live-action production company. We’re on the small-ish side. Some fancier people might call us a “boutique.” We just like taking on a few select projects at a time. Continue reading

Bluefish 8-5
Volker

VFX Supervisor Volker Engel: ‘Independence Day,’ technology and more

Uncharted Territory’s Volker Engel is one of Hollywood’s leading VFX supervisors, working on movies as diverse as White House Down, Hugo and Roland Emmerich’s Shakespeare movie Anonymous. Most recently he was in charge of the huge number of effects for Emmerich’s Independence Day: Resurgence. Continue reading

Bluefish 8-5
Peter Welch

This DIT talks synchronization and action scenes

By Peter Welch

As a digital imaging technician on feature films, I work closely with the director of photography, camera crew, editorial and visual effects teams to make sure the right data is collected for post production to transform raw digital footage into a polished movie as efficiently as possible. Continue reading


Talking with new Shade VFX NY executive producer John Parenteau

By Randi Altman

John Parenteau, who has a long history working in visual effects, has been named executive producer of Shade VFX’s New York studio. Shade VFX, which opened in Los Angeles in 2009, provides feature and television visual effects, as well as design, stereoscopic, Continue reading


Creating VR audio workflows for ‘Mars 2030’ and beyond

Source Sound is collaborating with others and capturing 360 sound for VR environments.

By Jennifer Walden

Everyone wants it, but not everyone can make it. No, I’m not talking about money. I’m talking about virtual reality content.

Let’s say you want to shoot a short VR film. Continue reading

Review: Rampant Design Tools FCP X plug-ins

By Brady Betzel

Over the past few weeks, I’ve been diving into FCP X and testing out some new tools that work within the editing system, including Rampant Design Tool’s FCP X plug-ins. Rampant Design helps you add value to your project, like adding video enhancements including light leaks, Continue reading

Jill Bogdanowicz talks color grading and ‘Ghostbusters’

By Randi Altman

Who you gonna call? Well, in my case it was Deluxe’s Jill Bogdanowicz, the colorist on director Paul Feig’s new Ghostbusters. She took time out of her busy schedule — finishing up War Dogs — to walk us through her process on the VFX-heavy film, Continue reading